In cities and towns across northern Europe in the twelfth and thirteenth centuries, a new type of religious woman took up authoritative positions in society, all the while living as public recluses in cells attached to the sides of churches. In Lives of the Anchoresses, Anneke Mulder-Bakker offers a new history of these women who chose to forsake the world but did not avoid it. Unlike nuns, anchoresses maintained their ties to society and belonged to no formal religious order. From their solitary anchorholds in very public places, they acted as teachers and counselors and, in some cases, theological innovators for parishioners who would speak to them from the street, through small openings in the walls of their cells. Available at all hours, the anchoresses were ready to care for the community's faithful whenever needed. Through careful biographical studies of five emblematic anchoresses, Mulder-Bakker reveals the details of these influential religious women. The life of the unnamed anchoress who was mother to Guibert of Nogent shows the anchoress's role as a spiritual guide in an oral culture. A study of Yvette of Huy shows the myriad possibilities open to one woman who eventually chose the life of an anchoress. The accounts of Juliana of Cornillon and Eve of St. Martin raise questions about the participation of religious women in theological discussions and their contributions to church liturgy. And the biographical study of Margaret the Lame of Magdeburg explores the anchoress's role as day-to-day religious instructor to the ordinary faithful.

From a remarkable new Australian author comes THE ANCHORESS, a story set within the confines of a stone cell measuring seven paces by nine. Tiny in scope but universal in themes, it is a wonderful, wholly compelling fictional achievement. Set in the twelfth century, THE ANCHORESS tells the story of Sarah, only seventeen when she chooses to become an anchoress, a holy woman shut away in a small cell, measuring seven paces by nine, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth and the pressure to marry, she decides to renounce the world, with all its dangers, desires and temptations, and to commit herself to a life of prayer and service to God. But as she slowly begins to understand, even the thick, unforgiving walls of her cell cannot keep the outside world away, and it is soon clear that Sarah's body and soul are still in great danger ... Telling an absorbing story of faith, desire, shame, fear and the very human need for connection and touch, THE ANCHORESS is both mesmerising and thrillingly unpredictable. 'Sarah's story is so beautiful, so rich, so strange, unexpected and thoughtful - also suspenseful. I loved this book.' Elizabeth Gilbert, author of EAT, PRAY, LOVE 'Robyn Cadwallader does the real work of historical fiction, creating a detailed, sensuous and richly imagined shard of the past. She has successfully placed her narrator, the anchoress, in that tantalizing, precarious, delicate realm: convincingly of her own distant era, yet emotionally engaging and vividly present to us in our own.' Geraldine Brooks 'An intense, atmospheric and very assured debut, this is one of the most eagerly anticipated novels of the year ... this one will appeal to readers who loved Hannah Kent's bestselling BURIAL RITES.' Caroline Baum 'Absorbing and finely structured .. surprisingly suspenseful ... The contemplative tone of this beautiful novel leaves behind a feeling of calm and restoration, and a deeper sense of the power of the written word.' Australian Book Review 'Cadwallader has chosen a rich subject, for while a story located in a single small room might sound claustrophobic, this is in fact what heightens Sarah's observations. It is precisely this limitation that drives the narrative - in the same way it does in Emma Donoghue's Room and Anne Frank's The Diary of a Young Girl ... Cadwallader's writing evokes a heightened attention to the senses: you might never read a novel so sensuous yet unconcerned with romantic love. For this alone it is worth seeking out. But also because The Anchoress achieves what every historical novel attempts: reimagining the past while opening a new window - like a squint, perhaps - to our present lives.' Sydney Morning Herald 'Affecting ... finely drawn ... a considerable achievement.' Sarah Dunant, The New York Times The Anchoress was highly commended in the 2016 ACT Book of the Year Award, and winner of the People's Choice Award

Sometime in the first quarter of the 13th century a number of works were written for anchoresses, women who lived as religious recluses in cells adjoining churches. The most influential is Ancrene Wisse (A Guide for Anchoresses), which discusses in great detail the daily life of the anchoress, both outer and inner. This work gives a detailed sense of a powerful and multi-faceted spirituality different from that of other mystics.

"This engrossing, subtle historical centers on a spiritual quest into Christian mysticism and smoothly alternates between past and present."—Publishers Weekly STARRED review Set in two different centuries, Anchoress of Shere depicts the story of a beautiful young woman, Christine Carpenter, who chooses to be walled up alive in a church in the English town of Shere. The historical records, which still exist, put the date at 1329. The 20th century chronicler of her story is Father Michael Duval, a deranged Catholic priest. Gradually, two separate sagas unfold: the bizarre world of the Middle Ages centered on Christine's entombment, and the 1967 abduction of Marda Stewart in nearby Guildford. Soon the medieval world of knights, debauchery, peasant uprisings and civil war merges into a modern hunt for a serial killer. The final piece of the puzzle is discovered in the late 1990s, revealing a gripping adventure story of love so obsessive that it spans more than six hundred years.

Look through fresh eyes at the stories of some of history's most remarkable women, in this inspiring collection of short stories by the finest female authors writing historical fiction for children today - The History Girls. Subjects include: Queen Boudicca, Aethelfled, Eleanor of Aquitaine, Julian of Norwich, Lady Jane Grey, Elizabeth Stuart, Aphra Behn, Mary Wollestonecraft, Mary Anning, Mary Seacole, Emily Davison, Amy Johnson and the Greenham Common women.

This interdisciplinary study of medieval English anchoritism from 1080-1450, explodes the myth of the anchorhold as solitary death-cell, reveals it instead as the site of potential intellectual exchange, and demonstrates an anchoritic spirituality in synch with the wider medieval world.