A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.

Harper lands a dream summer internship at a trendy teen magazine in New York City, working as their resident dating blogger, but there is only one problem--she has absolutely zero dating experience.

An essential piece of clothing in a woman's closet, the little black dress has maintained its popularity thought all trends because it is always the "right" thing to wear. It is a timeless classic and all great designers have created their own variation. Didier Ludot owns the most famous vintage clothing store in Paris, the fashion capital of the world. The store, La Petit Robe Noire, is housed in the prestigious Palais Royal, just steps away from the Louvre. Ludot has meticulously built and maintained a collection of black dresses, which features designs by Chanel, Balmain, Balenciaga, and Gaultier, among others. Photographs of these dresses are juxtaposed with archive photos of Romy Schneider, Catherine Deneuve, Jeanne Moreau, Sofia Loren, Edith Piaf, Paloma Picasso, Marilyn Monroe and Elizabeth Taylor - all in their black dress finest. Ludot's collection is a delightful tour of the black dress from yesterday to today.

At its inception, the ?Little Black Dress?, designed by Coco Chanel, was radically modern: a masculine-inspired, anti-traditionalist female attire ? yet it has remained a wardrobe staple for almost a century. Bringing together international scholars, curators and fashion writers, this volume explores how black?s paradoxical meanings have made the LBD simultaneously expressive of respect and rebellion, sophistication and dissident sexualities, piety and perversion. The book also looks at the smart technologies which are responding to the demand for the fashion industry to be more aware of sustainability.00Exhibition: National Museum of Scotland, Edinburgh, UK (01.07-29.10.2023).

Since Audrey Hepburn"s show-stopper in Break fast at Tiffany"s, the littlelack dress has become more th an an item of clothing. This book looks at theistory of th is loaded fashion symbol which is a cultural icon that stand sor a woman"s identity. '

WHAT HAPPENS WHEN A HIT MAN MEETS HIS NEW MOTHER-IN-LAW? Multiple Shamus Award winner Loren D. Estleman is "a superb stylist as well as a deft storyteller [who] paints his people and his city with acerbic wit and wry affection" (San Diego Union-Tribune). Peter Macklin was a hit man for a long time but he has taken steps to distance himself from his tattooed past, like quitting the mob, moving away from Detroit, and marrying the gorgeous, intelligent Laurie. But retirement isn't easy for an ex-hit man. Now the man accustomed to killing people in cold blood must adjust to a sadistic ritual of early marriage... he must spend time with his eccentric mother-in-law. This event takes an unexpected turn when Macklin discovers mom-in-law's boyfriend Benjamin Grinnell is a spotter for a gang of armed robbers. Unfortunately, Grinnell made a big mistake: he failed to spot a shotgun-toting shop-owner, whom the gang had to turn into red mist. Now Grinnell's life is threatened, and Grinnell's jeopardy endangers his sweetie... and Laurie. Macklin, driven by his professional curiosity and his desire to protect his family, can't help but get involved. As Macklin investigates Grinnell's dark affairs, he inevitably gets tangled up with Grinnell's enemies, including the Ohio mob... and the law. All parties converge in a deadly shootout, with the lives of Macklin's loved ones and the fate of his marriage precariously hanging in the balance.

This devotional is a fun and feminine piece, creatively laid out like your favorite fashion magazine. In this magazine you will find 12 sections. Each section begins with a devotional that includes raw stories of real women as they lean into their relationship with Jesus for strength and wisdom to walk their runway of life in love. The devotional ends with a prayer and journal prompts to help the reader internalize the message, followed by an inspiration page packed with fun and meaningful content to inspire your closet and your spirit. It ends with four separate Design Board pages with space for guided journaling and daily scripture meditation to navigate the path of love with God's Truth as our plumb line. It is a fun and unique way to study and explore scripture as we endeavor to fully grasp what it means to Wear Love.