A comprehensive case for a fresh literary approach to the New Testament For at least a half century, scholars have been adopting literary approaches to the New Testament inspired by certain branches of literary criticism and theory. In this important and illuminating work, Michal Beth Dinkler uses contemporary literary theory to enhance our understanding and interpretation of the New Testament texts. Dinkler provides an integrated approach to the relation between literary theory and biblical interpretation, employing a wide range of practical theories and methods. This indispensable work engages foundational concepts and figures, the historical contexts of various theoretical approaches, and ongoing literary scholarship into the twenty-first century. In Literary Theory and the New Testament, Dinkler assesses previous literary treatments of the New Testament and calls for a new phase of nuanced thinking about New Testament texts as both ancient and literary.

This publication presents the rich variety of critical methodologies in contemporary literary study of the New Testament. The tradition of study represented in the essays lies at the conjunction of developments in biblical studies and literary criticism: (1) the exhaustion of New Testament historical criticism in general and redaction criticism in particular; (2) the waning of Formalist-New Critical approaches in literary study; and (3) the emphasis upon the text in terms of language and discourse as the 'free play of signifiers'. The essays deal with theory, exegesis, and their interdependence in this new literary context. However, contributions of earlier epochs in the history of literary criticism and New Testament study are integrated into current approaches. For example, the issue of reference originating in the mimetic theories of classical antiquity is raised implicitly and explicitly. Implications of literary study for theology are suggested. The relationship between redaction-critical and literary approaches is examined. Theoretical and exegetical essays growing out of feminist literary study are offered. Orality, allegory, deconstruction, ideology, sociological criticism, rhetorical criticism, narrative criticism, as well as other themes and methods are discussed in the essays' treatment of writings of the New Testament. A rich variety of critical methodologies in contemporary literary study of the New Testament

The study of the Bible has long included a literary aspect with great attention paid not only to what was written but also to how it was expressed. The detailed analysis of biblical books and passages as written texts has benefited from the study of literature in classical philology, ancient rhetoric, and modern literary criticism. This volume of the Lexham Methods Series introduces the various ways the study of literature has been used in biblical studies. Most literary approaches emphasize the study of the text alone—its structure, its message, and its use of literary devices—rather than its social or historical background. The methods described in Literary Approaches to the Bible are focused on different ways of analyzing the text within its literary context. Some of the techniques have been around for centuries, but the theories of literary critics from the early 20th century to today had a profound impact on biblical interpretation. In this book, you will learn about those literary approaches, how they were adapted for biblical studies, and what their strengths and weaknesses are.

An anthology edited by the author of How to Read the Bible as Literature''. It contains interesting readings on the literary interpretation of the four gospels.

"For many years scholars have concentrated on the literary sources used by the author/editors of the books of the New Testament, and regarded these books as self-consciously created. William A. Beardslee turns literary criticism in a new direction by looking at the New Testament as unselfconscious popular literature and attempting to understand its aesthetic structure and force. After a survey of literary criticism, both ancient and modern, the author examines selected literary forms found in the New Testament--gospel, proverb, history (as seen in the canonical book of Acts), and apocalypse. In each case he shows how the form reflects the faith of those who worked with it. Also included are chapters on the literary history of the Synoptic Gospels and on the relationship of literary criticism to contemporary theological concerns."--Back cover.

The Gospels continue to defy efforts to fix 'generic' boundaries for determining their meanings. This volume discloses new stirrings and sightings of broader, more heuristically promising literary, rhetorical, and cultural registers which intersect in ancient narrative . The contributors seek to build upon or vigorously critique current generic hypotheses (biography, history, tragedy); to introduce recent insights and developments in genre theory; to probe ancient reception of the Gospels as works of literature; and to illuminate the relations between the literary characteristics of the Gospels and methodological advances in narratology, social memory, intertextuality, and performance.

In this study in three-dimensional character reconstruction, Cornelis Bennema presents a new theory of character in the New Testament literature. Although character has been the subject of focused literary-critical study of the New Testament since the 1970s, Bennema observes that there is still no consensus regarding how character should be understood in contemporary literary theory or in biblical studies. Many New Testament scholars seem to presume that characters in Greco-Roman literature are two-dimensional,”Aristotelian”; figures, unlike the well-rounded, psychologized individuals who appear in modern fiction. They continue nevertheless to apply contemporary literary theory to characters in ancient writings. Bennema here offers a full, comprehensive, and non-reductionist theory for the analysis, classification, and evaluation of characters in the New Testament.