Today, we have forgotten that mathematics was once aligned with the arts, rather than with the sciences. Literary Infinities analyses the connection between the late 19th-century revolution in the mathematics of the infinite and the literature of 20th-century modernism, opening up a novel path of influence and inquiry in modernist literature. Baylee Brits considers the role of numbers and the concept of the infinite in key modernists, including James Joyce, Italo Svevo, Jorge Luis Borges, Samuel Beckett and J.M. Coetzee. She begins by recuperating the difficult and rebellious German mathematician, Georg Cantor, for the broader artistic, cultural and philosophical project of modernism. Cantor revolutionized the mathematics of the infinite, creating reverberations across the numerical sciences, philosophy, religion and literary modernism. This 'modernist' infinity is shown to undergird and shape key innovations in narrative form, creating a bridge between the mathematical and the literary, presentation and representation, formalism and the tactile imagination.

Today, we have forgotten that mathematics was once aligned with the arts, rather than with the sciences. Literary Infinities analyses the connection between the late 19th-century revolution in the mathematics of the infinite and the literature of 20th-century modernism, opening up a novel path of influence and inquiry in modernist literature. Baylee Brits considers the role of numbers and the concept of the infinite in key modernists, including James Joyce, Italo Svevo, Jorge Luis Borges, Samuel Beckett and J.M. Coetzee. She begins by recuperating the difficult and rebellious German mathematician, Georg Cantor, for the broader artistic, cultural and philosophical project of modernism. Cantor revolutionized the mathematics of the infinite, creating reverberations across the numerical sciences, philosophy, religion and literary modernism. This 'modernist' infinity is shown to undergird and shape key innovations in narrative form, creating a bridge between the mathematical and the literary, presentation and representation, formalism and the tactile imagination.

From the Booker Prize-winning author of The Sea comes a novel that is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human. “One of the great living masters of English-language prose. The Infinities is a dazzling example of that mastery.” —Los Angeles Times On a languid midsummer’s day in the countryside, the Godley family gathers at the bedside of Adam, a renowned mathematician and their patriarch. But they are not alone in their vigil. Around them hovers a clan of mischievous immortals—Zeus, Pan, and Hermes among them—who begin to stir up trouble for the Godleys, to sometimes wildly unintended effect.

From the Booker Prize-winning author of The Sea comes a novel that is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human. “One of the great living masters of English-language prose. The Infinities is a dazzling example of that mastery.” —Los Angeles Times On a languid midsummer’s day in the countryside, the Godley family gathers at the bedside of Adam, a renowned mathematician and their patriarch. But they are not alone in their vigil. Around them hovers a clan of mischievous immortals—Zeus, Pan, and Hermes among them—who begin to stir up trouble for the Godleys, to sometimes wildly unintended effect.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.

'Science has never had an advocate quite like David Deutsch ... A computational physicist on a par with his touchstones Alan Turing and Richard Feynman, and a philosopher in the line of his greatest hero, Karl Popper. His arguments are so clear that to read him is to experience the thrill of the highest level of discourse available on this planet and to understand it' Peter Forbes, Independent In our search for truth, how far have we advanced? This uniquely human quest for good explanations has driven amazing improvements in everything from scientific understanding and technology to politics, moral values and human welfare. But will progress end, either in catastrophe or completion - or will it continue infinitely? In this profound and seminal book, David Deutsch explores the furthest reaches of our current understanding, taking in the Infinity Hotel, supernovae and the nature of optimism, to instill in all of us a wonder at what we have achieved - and the fact that this is only the beginning of humanity's infinite possibility. 'This is Deutsch at his most ambitious, seeking to understand the implications of our scientific explanations of the world ... I enthusiastically recommend this rich, wide-ranging and elegantly written exposition of the unique insights of one of our most original intellectuals' Michael Berry, Times Higher Education Supplement 'Bold ... profound ... provocative and persuasive' Economist 'David Deutsch may well go down in history as one of the great scientists of our age' Scotsman

This study traces the connection of infinity and Levinasian ethics in 21st-century fiction. It tackles the paradox of how infinity can be (re-)presented in the finite space between the covers of a book and finds an answer that combines conceptual metaphor theory with concepts from classical narratology and beyond, such as mise en abyme, textual circularity, intertextuality or omniscient narration. It argues that texts with such structures may be conceptualised as infinite via Lakoff and Núñez’s Basic Metaphor of Infinity. The catachrestic transfer of infinity from structure to text means that the texts themselves are understood to be infinite. Taking its cue from the central role of the infinite in Emmanuel Levinas’s ethics, the function of such ‘fictions of infinity’ turns out to be ethical: infinite textuality disrupts reading patterns and calls into question the reader’s spontaneity to interpret. This hypothesis is put to the test in detailed readings of four 21st-century novels, David Mitchell’s Cloud Atlas, Jeanette Winterson’s The Stone Gods, Ian McEwan’s Saturday and John Banville’s The Infinities. This book thus combines ethical criticism with structural aesthetics to uncover ethical potential in fiction.