Linguistic Theories of Humor appeared thirty years ago. It attracted a lot of attention and ended up being one of the most quoted books in the linguistics of humor. Partly due to its broad coverage which includes both theoretical and socio-pragmatic aspects and partly due to the depth of its bibliography it remained an indispensable reference in many areas, despite the growth of the field. The original fully corrected text is supplemented by a long essay, in which the author revisits the topics of the book to discuss how three decades have shifted the perspective of the field.

Theories of verbal humor to date have ignored or glossed over the importance of the roles of the audience and the situation in the humor event. Most theories presuppose that the joke text conveys humor, but it is demonstrated here that humor is not possible and cannot exist unless and until an audience determines that the joke text is amusing. This study surveys theories of humor and establishes that there is, indeed, a gap in the literature concerning the relevance and the significance of both the audience and the situation to verbal humor. The linguistic aspects, especially the semantic properties, of verbal humor are examined, followed by an examination of the rhetorical aspects of verbal humor, primarily in terms of audience, discourse communities, and situation. Finally, a new theory of verbal humor is proposed which embraces both the linguistic and the rhetorical aspects of that which occurs in the humor event. The concepts of an audience's joke competence and humor competence are central to this audience-based theory of verbal humor and clearly mark the point at which the disciplines of linguistics and rhetoric come together. Joke competence and humor competence are linguistic constructs based on and developed from the notion of linguistic competence and as constituents of linguistic competence activated by and in the non-bona-fide mode of joke telling. Imbuing the audience with the power to make decisions about the effectiveness of a piece of discourse in a situation is a rhetorical construct. When the two are merged, as they are in this audience-based theory of verbal humor, they can explain what happens in the humor event.

Irony and Humor: From pragmatics to discourse is a complete updated panorama of linguistic research on irony and humor, based on a variety of perspectives, corpora and theories. The book collects the most recent contributions from such diverse approaches as Relevance Theory, Cognitive Linguistics, General Theory of Verbal Humor, Neo-Gricean Pragmatics or Argumentation. The volume is organized in three parts referring to pragmatic perspectives, mediated discourse, and conversational interaction. This book will be highly relevant for anyone interested in pragmatics, discourse analysis as well as social sciences.

Misunderstandings in technology-mediated communication can be due to a lack of tone and facial expression on the part of the speaker, which provide additional context clues into the meaning of the message beyond textual representation. As technology becomes more of a ubiquitous element in our interactions with one another, further study into the ways in which language and humor are conveyed online and impact human communication is essential. Analyzing Language and Humor in Online Communication presents a compendium of research into virtual communities, online communication, social networks, and the ways that language, and humor in particular, are being conveyed and understood in these digital environments. Emphasizing examples from popular culture and contemporary media, this innovative publication fills the current void in the literature by focusing specifically on humor creation and perception in the digital age. Students, researchers, linguists, psychologists, media professionals, and sociologists will find this publication to be a unique reference source.

Punching Up in Stand-Up Comedy explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised. The title brings together essays and perspectives on stand-up and satire from different cultural and political contexts across the world which raise pertinent issues regarding its role in contemporary times, especially with the increased presence of OTT platforms and internet penetration that allows for easy access to this art form. It examines the theoretical understanding of the different aspects of the humour, aesthetics and politics of stand-up comedy, as well as the exploration of race, gender, politics and conflicts, urban culture and LGBTQ+ identities in countries such as Indonesia, Finland, France, Iran, Italy, Morocco, India and the USA. It also asks the question whether, along with contesting and destabilising existing discursive frameworks and identities, a stand-up comic can open up a space for envisaging a new social, cultural and political order? This book will appeal to people interested in performance studies, media, popular culture, digital culture, sociology, digital sociology and anthropology, and English literature. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license. Funded by the University of Helsinki.