It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.

The first book-length examination of Abraham Lincoln's lifelong interest in and affection for the the plays of William Shakespeare.

One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

WINNER OF THE LINCOLN FORUM BOOK PRIZE “A Lincoln classic...superb.” ­—The Washington Post “A book for our time.”—Doris Kearns Goodwin Lincoln on the Verge tells the dramatic story of America’s greatest president discovering his own strength to save the Republic. As a divided nation plunges into the deepest crisis in its history, Abraham Lincoln boards a train for Washington and his inauguration—an inauguration Southerners have vowed to prevent. Lincoln on the Verge charts these pivotal thirteen days of travel, as Lincoln discovers his power, speaks directly to the public, and sees his country up close. Drawing on new research, this riveting account reveals the president-elect as a work in progress, showing him on the verge of greatness, as he foils an assassination attempt, forges an unbreakable bond with the American people, and overcomes formidable obstacles in order to take his oath of office.

This book reveals the tricks of the best communicators throughout history.

With all that has already been written about President Abraham Lincoln’s assassination, one of the little known stories is the case of the only successful conspirator, John Harrison Surratt, the son of Mary Surratt, who was hanged for her part in the crime. The Last Lincoln Conspirator is the true story of John Surratt, who became the most wanted man in America after the death of John Wilkes Booth’s and was the only conspirator to escape conviction. The capture and killing of Booth twelve days after he shot Lincoln and the fate of Booth’s other accomplices are familiar history. Four accomplices, including Surratt’s mother, were convicted and hanged, and four were jailed. John Surratt alone managed to evade capture for twenty months and, once put on trial, to evade prison. The first full-length treatment of Surratt’s escape, capture, and trial, this book provides fascinating details about his flight through Canada, England, France, the Papal States, and eventual capture in Egypt. Surratt’s desperate journey and the bitter legal proceedings against him that bizarrely led to his freedom hold the reader’s attention from first to last page.

Here, from the author of the acclaimed book The Class of 1846, is the dramatic story of what may have been the most critical election campaign in American history. Taking place in the midst of the Civil War, the election of 1864 would determine the very future of the nation. Would the country be unified or permanently divided? Would slavery continue? Weaving rich anecdotal material into a fast-paced narrative, John C. Waugh places this pivotal election in its historical context while evoking its human drama. The men and women who figured in this epic campaign—most notably Lincoln himself—emerge with all their strengths, weaknesses, and idiosyncrasies. "It's an inherently dramatic story, and one that has been told before. But never quite so well as by John C. Waugh, [who] brings to his task the keen eye for detail and scene-setting that one would expect from a career reporter," said the Wall Street Journal. Drawing on an extensive array of sources, including published and unpublished reminiscences, memoirs, autobiographies, letters, newspapers, and periodicals, Waugh re-creates that fateful year with all the immediacy of a political reporter covering a national presidential election today.