With only one day to go before the school-play performance, the lead actor falls sick and Mateo must take his place. Can Mateo and Maria work together to save the show?

With only one day to go before the school play performance, the lead actor falls sick and Mateo must take his place.

With only one day to go before the school-play performance, the lead actor falls sick and Mateo must take his place. Can Mateo and Maria work together to save the show?

Diddy Disciples is a creative and playful new worship and Bible storytelling resource for babies, toddlers and young children. Diddy Disciples aims to encourage participation, discipleship and leadership from children’s earliest years, using storytelling, singing, colour, repetition, art and lots and lots of movement! Peer-learning is actively encouraged with many opportunities for young children to learn from each other. Groups are invited to build their own Diddy Disciples sessions, choosing from different options. Leaders can use the material to create a service to follow the pattern of their church’s Sunday worship, a simple midweek baby and toddler singing session, or anything in between! Book 1 includes: Over 20 weeks’ worth of fully worked-out sessions organized into 4-6 week units from September to December All the information you need to set up and run Diddy Disciples in your group Plenty of opportunities to tailor the material to your own context, resources and tradition All sorts of creative ‘starter ideas’ for using everyday art and play resources to spark children's imaginations and engagement as they respond to the biblical stories. The Units are: Jesus’ wonderful love: six weeks introducing some of Jesus’ most famous parables God the maker: six weeks on creation and caring for it, including a Harvest celebration In November we remember: four weeks including All Saints and Remembrance Sunday Getting ready for baby Jesus: five weeks journeying through Advent to Christmas

Sweat, Tears, and Jazz Hands: The Official History of Show Choir from Vaudeville to "Glee" features more than 100 competitive show choirs from around the U.S. in photos, quotations, and stories. The book details the pop culture and theater influencers that, over time, built this unique entertainment genre into the mecca of music lovers that it is today. Read real-life accounts of show choir performers, directors, and choreographers. Catch a glimpse into a once practically unknown society of "swing choirs." Discover what P. T. Barnum, Fosse, speakeasies, cigarette companies, the modern-day blender, and Lady Gaga have to do with this glitter-drenched community of singers and dancers. Take a step beyond the hit show Glee and learn about the real drama, the hard work, the sweat, and the tears. Find out what it takes to build an award-winning competition set; the branding, the budgets, the strategy and the performance. Meet the characters. Learn the lingo. Fall in love with show choirs.

After being rejected on the doorstep of her unfiancé, former theatre director Enna Petersen finds herself stranded in Pennsylvania in the dead of winter without a place to stay, a job, or even a warm jacket. She was supposed to be reconciled with Cole, not alone and searching for a new path. With no other options, Enna retreats to New York to stay with an old theatre friend in an apartment that is barely big enough to swing a microbe. Now a Brit out of water, Enna has to improvise and find a way to both stay in the States and to convince Cole that she is trustworthy and committed. In spite of the “shituation,” Enna quickly adapts to Brooklyn life and tries her best to rekindle Cole’s affections, but it’s just not that easy. After she shifts her focus from the bright spotlight of the stage to a small, candle-lit yoga studio she revels in the clarity it brings. Enna is forced to face the music with only one more attempt to reunite with Cole or accept what seems inevitable: a one-way ticket back to England and a broken heart.

The Oxford Handbook of Music and Advertising is an essential guide to the crucial role that music plays in relation to the audio or audiovisual advertising message, from the perspectives of its creation, interpretation, and reception. The book's unique three-part organization reflects this life cycle of an advertisement, from industry inception to mass-mediated text to consumer behaviour. Experts well versed in the practice, analysis, and empirical studies of the commercial message have contributed to the collection's forty-two chapters, which collectively represent the most ambitious and comprehensive attempt to date to address the important intersections of music and advertising. Handbook chapters are self-contained yet share borders with other contributions within a given section and across the major sections of the book, so readers can either study one topic of particular interest or read through to gain an understanding of the broader issues at stake. Within the book's Introduction, each editor has provided an overview of the unifying themes for the section for which they were responsible, with brief summaries of individual contributions at the beginnings of the sections. The lists of recommended readings at the end of chapters are intended to assist readers in finding further literature about the topic. An overview of industry practices by a music insider is provided in the Appendix, giving context for the three parts of the book.