Thomas Kinkade candidly shares his feelings and daily routine as well as his insights in Lightposts for Living. The book is a sincere gift from the heart, allowing a walk down the path lit by Kinkade's vision of how good life can be.

The unbelievable true story of artist Thomas Kinkade, self-described “Painter of Light,” and the dramatic rise – and fall – of his billion-dollar gallery and licensing business. He was just one man, but Thomas Kinkade ultimately made more money from his art than every other artist in the history of the world combined. His sentimental paintings of babbling brooks, rural churches surrounded by brilliant fall foliage, and idyllic countryside cottages were so popular in the 1990s that one out of every twenty homes in America owned one of his prints. With the help of two partners, a former vacuum salesman and an ambitious junior accountant who fancied himself a businessman, Kinkade turned his art into a billion-dollar gallery and licensing business that traded on the NYSE before it collapsed in 2006 amid fraud accusations. One part a fascinating business story about the rise, and demise, of a financial empire born out of divine inspiration, one part a dramatic biography, Billion Dollar Painter is the account of three nobodies who made it big. One of them was a man who, despite being a devout Christian that believed his artwork was a spiritual force that could cure the sick and comfort the poor in spirit, could not save his art empire, or himself. G. Eric Kuskey, former colleague of Thomas Kinkade and close friend until the artist's death in 2012, tells Kinkade's story for the first time—from his art's humble beginnings on a sidewalk in Carmel, California, to his five-house compound in Monte Sereno. This is a tale of addiction and grief, of losing control, and ultimately, of the price of our dreams.

Margaux Joy DeNador, a life coach, outlines ways to make simple and consistent changes in life, to enable people to feel a greater connection with loved ones, to take time for what is important to them, and to find more enjoyment in work.

An anthology on American artist Thomas Kincaid, exploring his work and its impact on contemporary art as part of the broader history of American visual culture.

The rise of retro has led many to conclude that it represents the end of marketing, that it is indicative of inertia, ossification and the waning of creativity. Marketing — The Retro Revolution explains why the opposite is the case, demonstrating that retro-orientation is a harbinger of change and a revolution in marketing thinking. In his engaging and lively style, Stephen Brown shows that the implications of today's retro revolution are much more profound than the existing literature suggests. He argues that just as retro-marketing practitioners are looking to the past for inspiration, so too students, consultants and academics should seek to do likewise.