In a review of his first collection, The Convulsion Factory, esteemed critic Stanley Wiater stated, “This writer knows where the sad people, the bad people, and the mad people live.” Indeed. For his expansive command of characters as well as the situations, from the visionary to the grittily mundane, in which he finds them, and for his lyrically crafted prose and skewed perspectives (not to mention his penchant for run-on sentences), Hodge has racked up an eclectic list of comparisons: from Elmore Leonard to Clive Barker, from Honoré Daumier to David Cronenberg, from Carl Jung to Marilyn Monroe*. Now comes his most far-reaching collection yet, 150,000 words chronicling the people, places, and things that his readers have come to expect, but never predict: The dancer who becomes the latest repository for the fervent sexuality that fueled the world’s most ancient cities. The serial killer whose grasp of media symbiosis puts him light-years ahead of the law. The modern-day castrato learning undreamt-of lessons in love, death, and divine madness. The Civil War veteran living a grotesque twist on the Old West myth of the outlaw who never takes off his gun belt. William Faulkner once noted that writers are congenital liars … that if they weren’t liars, they would never have become writers in the first place. In that spirit, Brian Hodge has been enthusiastically lying ever since his earliest mastery of the alphabet, guided by only one stipulation: Never letting a trivial thing like the facts get in the way of the ugly truth. * Sadly, the Monroe comparison is a total fabrication. Stories included in this collection: “Madame Babylon” “The 121st Day of Sodom” “Empathy” “Cancer Causes Rats” “Some Other Me” “Nesting Instincts” “Before the Last Snowflake Falls” “An Autumnal Equinox Folly” “Confession” “Cenotaph” “Far Flew the Boast of Him” “Now Day Was Fled As the Worm Had Wished” “Pages Stuck By a Bowie Knife to a Cheyenne Gallows” “Driving the Last Spike” “Little Holocausts” “Dead Giveaway” “Past Tense” “Our Lady of Sloth and Scarlet Ivy” “The Last Testament” “The Alchemy of the Throat” “Come Unto Me, All Ye Heavy Laden” “Endnotes: From the Gutters of Civilization to Your Discerning Eye”

The New York Times–bestseller set in a divided Naples—now a Netflix original series—from the acclaimed author of My Brilliant Friend and The Lost Daughter. A BEST BOOK OF 2020 The Washington Post·O, The Oprah Magazine·TIME Magazine·NPR·People Magazine·The New York Times Critics·The Guardian·Electric Literature·Financial Times·Times UK·Irish Times·New York Post·Kirkus Reviews·Toronto Star·The Globe and Mail·Harper’s Bazaar·Vogue UK·The Arts Desk Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is. Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape. “Another spellbinding coming-of-age tale from a master.” —People Magazine, Top 10 Books of 2020 “The literary event of the year.” —Elle “Ms. Ferrante once again, with undiminished skill and audacity, creates an emotional force field that has at its heart a young girl on the brink of womanhood.” —The Wall Street Journal

Ugly as sin, the ugly duckling—or maybe you fell out of the ugly tree? Let’s face it, we’ve all used the word “ugly” to describe someone we’ve seen—hopefully just in our private thoughts—but have we ever considered how slippery the term can be, indicating anything from the slightly unsightly to the downright revolting? What really lurks behind this most favored insult? In this actually beautiful book, Gretchen E. Henderson casts an unfazed gaze at ugliness, tracing its long-standing grasp on our cultural imagination and highlighting all the peculiar ways it has attracted us to its repulsion. Henderson explores the ways we have perceived ugliness throughout history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley’s Frankenstein to the Nazi Exhibition of Degenerate Art. Covering literature, art, music, and even the cutest possible incarnation of the term—Uglydolls—she reveals how ugliness has long posed a challenge to aesthetics and taste. She moves beyond the traditional philosophic argument that simply places ugliness in opposition to beauty in order to dismantle just what we mean when we say “ugly.” Following ugly things wherever they have trod, she traverses continents and centuries to delineate the changing map of ugliness and the profound effects it has had on the public imagination, littering her path with one fascinating tidbit after another. Lovingly illustrated with the foulest images from art, history, and culture, Ugliness offers an oddly refreshing perspective, going past the surface to ask what “ugly” truly is, even as its meaning continues to shift.

From a USA Today–bestselling author, a psychological thriller that asks: What would cause a woman to murder her own family? Jo's idyllic life would make most people jealous. Until the day her daughter is abducted, and the only way to find her is to unravel her dark past. Ellie is a devoted wife . . . until she discovers the pain of betrayal. Now vengeance is all she can think about. Party girl Shayla knows how to hide her demons. But when she's confronted with a life-shattering choice, it will cost her everything. June knows suffering intimately, though the smile she wears keeps it hidden. Soon the lives of these four women intersect—and one of them is about to snap . . .

One night changed everything. In a single breath my entire future was ripped away. Now I’m left simply trying to pick up the pieces. Endless nights waiting tables in hopes of keeping a single piece of the dream I left behind. He came for pie with dark eyes and a cocky smile. But those eyes saw more than they should. Past my walls to all those secrets I’d long buried. That should’ve been my first warning. I should’ve said no when he offered me a job too good to be true. But I said yes. Slowly friendship sparked to something more. Stolen moments became an obsession neither of us could kick. Hudson gave me more than I’d ever dreamed. So much of what I had lost. A home. A family. I should’ve known it was all a beautiful lie. I should’ve known he’d only leave me with all the ugly things...

In all ugliness, beauty lies within, representing individuals like you and me, who are willing to look deep inside ourselves to admit the truth about the ugliness in us. Do not only admit it, but address it where it demonstrates strength and strong will to overcome life’s challenges without making excuses. Everyone knows that life can be unfair at times; the question is, during the midst of it, how are we going to react? Usually, in the face of adversity, one is defined in character. This book expresses a lot of heartache, as well as triumph. I am hoping that my readers will embrace the essence of its beauty although shown in darkness because all can relate. At some point or another, life has hit you with uncertainty; the fact that you are reading this book proves your triumph over life’s setbacks. I am proud of you. Within these pages, I have tried to reveal the reality of bondage in its true form then turned it around for beauty for the sole propose of saving other people’s lives through awareness. If I can turn ugliness into art through creative writing, then there are no limits to what you can do; just do humbly, and loveliness and grace will beseech you and everything you set your hearts to do in life will prosper.