Liberalism under Siege: The Political Thought of the French Doctrinaries is a compelling examination of the French Doctrinaries, a largely neglected group of liberal thinkers in post-revolutionary France who were proponents of a nuanced sociological and historical approach to political theory. The first systematic interpretation of the French Doctrinaries' political writings to appear in English, Liberalism under Siege combines textual analysis and historical interpretation to explore the Doctrinaires' ideas on the French Revolution, democracy, political power, sovereignty of reason, publicity, capacity, and representative government. Aurelian Craiutu's detailed work is not only an argument for the reappraisal of the Bourbon Restoration as a golden age of political thought; it is also a passionate and persuasive addition to contemporary debates about the diversity of liberalism.

A compelling history of liberalism from the nineteenth century to today Liberalism dominates today's politics just as it decisively shaped the American and European past. This engrossing history of liberalism—the first in English for many decades—traces liberalism’s ideals, successes, and failures through the lives and ideas of a rich cast of European and American thinkers and politicians, from the early nineteenth century to today. An enlightening account of a vulnerable but critically important political creed, Liberalism provides the vital historical and intellectual background for hard thinking about liberal democracy’s future.

Frank Furedi examines the frequent claim that democracy is a means to an end rather than an important value in and of itself. The prevalence of this sentiment in the current era is not surprising, given that the normative foundation for democracy is fragile, and there is little cultural valuation for this outlook. Until recently, virtually every serious commentator paid lip-service to democracy. However, in recent times the classical elitist disdain for democracy and for the moral and intellectual capacity of the electorate has acquired a powerful influence over public life. Democracy Under Siege outlines the long history of anti-democratic thought, explains why hostility to democracy has gained momentum in the current era, and offers a positive affirmation of the principle and the value of democracy.

In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.

American politics are as fractured and partisan as they have ever been and liberalism is in greater peril than at any time in recent history. Conservatives treat it as an epithet, and even some liberals have confused it with sentimentality and socialism. But Paul Starr, Pulitzer Prize-winning author and one of America's leading intellectuals, claims that, properly understood, liberalism is a sturdy public philosophy, deeply rooted in our traditions, capable of making America a freer and more secure country.