Typography has jumped off the printed page to stand on its own as branding, sculpture, and even architecture. Lettering Large examines this phenomenon through a diverse collection of images collected from a vast range of sources around the world. As technology has made construction and production of monumental letters possible, the demand for their design has grown exponentially. This book is the first to chronicle letters as presences in the urban landscape. Preeminent graphic design and typographic commentator and historian Steve Heller teams with Mirko Ilić, a noted graphic designer, to select the most dramatic and telling examples culled from sites across the United States and throughout Europe and Asia.

Typography is always one of the designer's first considerations when it comes to making a statement, and in recent years the world of lettering and type has exploded in an unprecedented wave of creative discovery. Contemporary artists, typesetters, and designers of all kinds are exploring new horizons in illustrated and hand-drawn lettering, digitally rendered lettering, and 3D lettering. This collection—large in scope but petite in size—surveys the recent lettering renaissance, showcasing a diverse range of talent in gorgeous, eye-catching examples and profiling today's innovators. In a stunning little package that expertly combines a handmade feel with a modern aesthetic, this is the ultimate inspirational collection of contemporary lettering for design buffs and type enthusiasts alike.

The Art of Brush Lettering offers a meditative approach to learning all the facets of lettering with brush pens.

Get creative, express yourself, and add that personal touch with hand lettering! Lettering isn't penmanship; it's a form of drawing. With illustrated step-by-step instructions, The Big Awesome Book of Hand & Chalk Lettering shows the complete beginner how to master the art of hand lettering, the composition/design of phrases on the page, and flourishes to embellish the design. It also includes chalk lettering, fun prompts for writing and 15 projects and gift ideas, ranging from gift tags to a lettered poster to chalk-lettered signs for special events. Covers 15 lettering styles--from Black Letter and "melting" to circus and Victorian, as well as serifs and scripts--along with numerous borders, corners, banners, bursts, frames and other accents.

At the end of several of his letters the apostle Paul claims to be penning a summary and farewell greeting in his own hand: 1 Corinthians, Galatians, Philemon, cf. Colossians, 2 Thessalonians. Paul's claims raise some interesting questions about his letter-writing practices. Did he write any complete letters himself, or did he always dictate to a scribe? How much did his scribes contribute to the composition of his letters? Did Paul make the effort to proofread and correct what he had dictated? What was the purpose of Paul's autographic subscriptions? What was Paul's purpose in calling attention to their autographic nature? Why did Paul write in large letters in the subscription of his letter to the Galatians? Why did he call attention to this peculiarity of his handwriting? A good source of answers to these questions can be found among the primary documents that have survived from around the time of Paul, a large number of which have been discovered over the past two centuries and in fact continue to be discovered to this day. From around the time of Paul there are extant several dozen letters from the caves and refuges in the desert of eastern Judaea (in Hebrew, Aramaic, Nabataean, Greek, and Latin), several hundred from the remains of a Roman military camp in Vindolanda in northern England (in Latin), and several thousand from the sands of Middle and Upper Egypt (in Greek, Latin, and Egyptian Demotic). Reece has examined almost all these documents, many of them unpublished and rarely read, with special attention to their handwriting styles, in order to shed some light on these technical aspects of Paul's letter-writing conventions.

That’s where this valuable book comes in. It features over 5,000 different fonts - not only the standard ones like Bodoni, Cheltenham, and Century, but also the entire collections of the smaller font foundries that produce innovative, cutting-edge type de

Whether you want to create an eye-catching banner for a party, some nature inspired place cards for your table, or you just want to relax while enjoying the art of lettering, this is your go-to guide. With a growing legion of hand-lettering fans on Instagram and her Skillshare classes, Peggy Dean is a rising star in the lettering world. As a follow-up to her successful book, The Ultimate Brush Lettering Guide, Dean is going back to nature in this woodland-themed book packed full of projects, lettering tutorials, drawing how-tos, and a wealth of practice pages. Lettering in the Whimsical Woodlands provides plenty of space to practice basic and intermediate strokes, with the goal of creating your personal lettering style. Once you've mastered lettering, Dean shows you how to draw a variety of woodland creatures, including chipmunks, birds, bunnies, and foxes, as well as flowers, leaves, acorns, mushrooms, and other flourishes. By combining your lettering with line drawings, you can create stunning works of art, including home décor, invitations, gift tags, and unique holiday tablescapes. For those in need of inspiration, Dean provides a bevy of fun and creative do-it-yourself ideas. This book will provide you with an elevated lettering experience and many hours of practical, clever projects. It's the joy of lettering meets DIY fun!