In this "thought-provoking" thriller from the author of the Reese Witherspoon book club pick and national bestseller Conviction, a woman in crisis finds herself on the hunt for her own mother's murderer (People). Dr. Margo Dunlop is at a crossroads. Her adoptive mom just passed away, and Margo misses her so much she can't begin to empty the house-or, it seems, get her brother on the phone. Not to mention she's newly single, secretly pregnant, and worried about her best friend's dangerous relationship. In an effort to cheer herself up she goes in search of her birth mother. Instead she finds Nikki, her mother's sister. Aunt Nikki isn't what Margo expects, and she brings upsetting news: Margo's mother is dead. Worse, she was murdered years ago, and her killer is still at large—and sending Nikki threatening letters. Margo is torn. Should she stay out of this mess, or try to find justice? But then Margo receives a letter, too. Someone out there has been waiting and watching, and in Margo sees the spitting image of her mother . . . Darkly funny and deeply affecting, The Less Dead is a sharply modern new thriller from the bestselling author of Conviction, and a surprisingly moving story of daughters and mothers, secrets and choices, and how the search for the truth—and a long-hidden killer—will lead one woman to find herself.

Dogs have long been manÆs best friend, but the Bug ManÆs friends is a rare breed . . . the cadaver dog. All roads lead to the White House for John Henry Braden, the charismatic senator from Virginia aristocracy whose beautiful wife Victoria is the talk of Washington and the crown jewel of Endor, her backwoods Virginia hometown. But when bodies turn up on BradenÆs propertyùthe site of a multimillion dollar construction project heÆs spearheadingùthe senatorÆs spin doctors, led by his future first lady, must act quickly to quell a conspiracy before it blemishes their presidential campaign. Enter entomologist Nick Polchak, the quirky bug expert enlisted to determine if the senatorÆs bone yard is a forgotten cemetery or a crime scene. To help with the investigation, Polchak follows local legend to Alena Savard, a mysterious woman known for her ability to turn mongrels into the best search dogs around. They soon find themselves on the trail of a desperate individual bent on protecting a terrible secret. Less than Dead is an unforgettable tale of crime and concealment in the corridors of high-stakes politicsùas well as in the deepest contours of the human heart.

In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women. More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to counteract such views, local activists mark the city with graffiti and memorials that create a living memory of the violence and try to humanize the victims of these crimes. The phrase “more or less dead” was coined by Chilean author Roberto Bolaño in his novel 2666, a penetrating fictional study of Juárez. Driver explains that victims are “more or less dead” because their bodies are never found or aren’t properly identified, leaving families with an uncertainty lasting for decades—or forever. The author’s clear, precise journalistic style tackles the ethics of representing feminicide victims in Ciudad Juárez. Making a distinction between the words “femicide” (the murder of girls or women) and “feminicide” (murder as a gender-driven event), one of her interviewees says, “Women are killed for being women, and they are victims of masculine violence because they are women. It is a crime of hate against the female gender. These are crimes of power.”

A serial killer terrorizes a small California town in this gripping thriller from #1 New York Times bestselling author Tami Hoag. California, 1985—Four children and young teacher Anne Navarre make a gruesome discovery: a partially buried female body, her eyes and mouth glued shut. A serial killer is at large, and the very bonds that hold their idyllic town together are about to be tested to the breaking point. Tasked with finding the killer, FBI investigator Vince Leone employs a new and controversial FBI technique called “profiling,” which plunges him into the lives of the four children—and the young teacher whose need to uncover the truth is as intense as his own. But as new victims are found and pressure from the media grows, Vince and Anne find themselves circling the same small group of local suspects, unsure if those who suffer most are the victims themselves—or those close to the killer, blissfully unaware that someone very near to them is a murderous psychopath…

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR “As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet... The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us.

Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

The true story of the woman who inspired the Academy Award–winning film Monster and a recent Investigation Discovery special. When police in Florida’s Volusia County were called to investigate the murder of Richard Mallory, whose gunshot-ridden body had been found in the woods just north of Daytona Beach in December 1989, their search led them to a string of dead ends before the trail went cold six months later. During the spring and summer of 1990, the bodies of six more middle-aged white men were discovered—all in secluded areas near their abandoned vehicles, all but one shot dead with a .22 caliber pistol—and all without any suspects, motives, or leads. The police speculated that the murders were connected, but they never anticipated what they’d soon discover: The killings were the work of a single culprit, Aileen Wuornos, one of the first women to ever fit the profile of a serial killer. With the cooperation of her former lover and accomplice, Tyria Moore, the police were able to solicit a confession from Wuornos about her months-long killing spree along Florida’s interstate highways. The nation was quickly swept up in the drama of her trial and the media dubbed her the “Damsel of Death” as horrifying details of her past as a prostitute and drifter emerged. Written by the Reuters reporter who initially broke the story, Dead Ends is a thrilling firsthand account of Wuornos’s capture, trial, and ultimate sentencing to death by lethal injection, that goes beyond the media frenzy to reveal the even more disturbing truth.