In this unprecedented critique, Bernard-Henri Lévy revisits his political roots, scrutinizes the totalitarianisms of the past as well as those on the horizon, and argues powerfully for a new political and moral vision for our times. Are human rights Western or universal? Does anti-Semitism have a future, and, if so, what will it look like? And how is it that progressives themselves–those who in the past defended individual rights and fought fascism–have now become the breeding ground for new kinds of dangerous attitudes: an unthinking loathing of Israel; an obsessive anti-Americanism; an idea of “tolerance” that, in its justification of Islamic fanaticism, for example, could become the “cemetery of democracies”; and an indifference, masked by relativism, to the greatest human tragedies facing the world today? At a time of ideological and political transition in America, Left in Dark Times articulates the threats we all face–in many cases without our even being aware of it–and offers a powerful new vision for progressives everywhere.

Winter is an Earth-like planet with two major differences: conditions are semi artic even at the warmest time of the year, and the inhabitants are all of the same sex. Tucked away in a remote corner of the universe, they have no knowledge of space travel or of life beyond their own world. And when a strange envoy from space brings news of a vast coalition of planets which they are invited to join, he is met with fear, mistrust and disbelief . . . 'The Left Hand of Darkness' is a groundbreaking work of feminist science fiction, an imaginative masterpiece which poses challenging questions about sexuality, sexism and the organisation of society.

On a Dark Night I Left My Silent House is Nobel Prize winner Peter Handke's evocative, moving, often fantastic, short novel about one man's conflict with himself and his journey toward resolution. During one night shift, an unnamed, middle-aged pharmacist in Taxham, an isolated suburb of Salzburg, tells his story to a narrator. The pharmacist is known and well-respected, but lonely and estranged from his wife. He feels most comfortable wandering about in nature, collecting and eating hallucinogenic mushrooms. One day he receives a blow to the head that leaves him unable to speak, and the narrative is transformed from ironic description into a collection of sensual impressions, observations and reflections. The pharmacist, who is now called the driver, sets out on a quest, travelling into the Alps with two companions—a former Olympic skiing champion and a formerly famous poet--where he is beaten and later stalked by a woman. He drives through a tunnel and has a premonition of death, then finds himself in a surreal, foreign land. In a final series of bizarre, cathartic events, the driver regains his speech and is taken back to his pharmacy—back to his former life, but forever changed. A powerful, poetic exploration of language, longing and dislocation in the human experience, On a Dark Night I Left My Silent House reveals Handke at his magical best.

“If you are scratching your head as to how radicals could have seized control in Washington, and of American media, while defaming American democracy as a ‘white supremacist’ nightmare, look no further than the left’s transformation of American universities into ideological boot camps for Marxist treachery. Brutal Minds is a model of clarity and straight talk about this national tragedy, whose destructive energies have yet to run their course.” —DAVID HOROWITZ, Bestselling Author of Final Battle Much of university life is controlled by subsidized paranoiacs, amateur psychotherapists, neo-Marxist totalitarians, “student affairs professionals” imbued with authoritarian mentality, and racialist thought reformers who run workshops that destroy family ties and traditional beliefs to clear the way for new relationships grounded in racialist ideology. These are the brutal minds who threaten and abuse students in the name of an academic fraud called “antiracist pedagogy.” In Brutal Minds, award-winning professor Stanley K. Ridgley exposes the dangers of radicalization, cancel culture, academic censorship, and the growing influence of socialists “boldly transforming” colleges across the country into reeducation camps of dull conformity. An educational charade masks activities and ideology as dangerous as those that inspired Communist China’s tragic Cultural Revolution. This book strips away the façade of the modern American university to reveal the malignant bureaucratic viscera inside the institution. It is a dark world, an anti-intellectualist sanctuary where brutal minds find purpose, protection, camaraderie, subsidy, and power. Dr. Ridgley’s book calls us to action to halt this anti-intellectual takeover of higher education and to restore the greatness of one of Western civilization’s most brilliant creations, the American University. “A tale of how one of history’s great institutions—the American university—is undergoing an infiltration by an army of mediocrities whose goal is to destroy it as an institution of knowledge creation and replace it with an authoritarian organ of ideology and propaganda.” —From the Preface to Brutal Minds

This book is about a young man and his journey's with his painful life, in every step he takes. As nobody is aware of this, he psychologically has stress from being alive, the 32 year old man has endless thoughts about his pain that the God has done to him. As each day that goes by, he talks to God in his mind, Why, why, why? This man has no time to waste, as he is always thinking for his future and this future is ultimately to be safe in his thoughts, as he journey's every day from the time he wakes to the time he sleeps, he waitstruths that are out there, and the mysteries that surround him on this earth and ultimately out there in space. He can't wait in his mind just to be free and, as he walks this earth. He encounters thoughts and dreams that are full of psychological stress and one thing he does is he carries all the weight on his shoulders, he knows that one that he will find the truth to why the God has made him. But until then he will struggle in this life as a human being, walking step by step, the pain he endures in this life, it's a wonder that he still is alive, the silence he keeps, will always remain the same, like a battle of ships, so enjoy as the reader just how his mind operates. Psychologically the order in his mind is there, but so much different too the persons around him, where ever he goes.

Here is the best of funny, sharp, and revelatory film writing for The Nation, brought together with new pieces written especially for this book and a selection of reviews and essays for the New York Times, the Village Voice, Film Comment, and other journals. A friend of independent filmmaking (but not of its pretensions), an enemy of big-budget productions (except when they’re entertaining), Klawans writes under his own version of the banner “From Each According to His Abilities, to Each According to His Needs.” Klawans explains how to approach a masterpiece by Abbas Kiarostami as if it were a strange dog; why David Lynch would disappoint a visiting Martian; and what The Rage: Carrie 2 tells us about rage and Carrie. All this, plus insight into the quieter refinements of Moulin Rouge, the correct Talmudic interpretation of Natural Born Killers, and the reasons why they were never wrong, the Old Masters (Renoir, Dreyer, Sembene, and early 1930s Warner Brothers). At a time when too many film writers encourage cynicism and despair, Klawans finds vitality in the movies—especially those that record brute fact while aspiring toward a heaven of personal expression. Read him, and discover the fun of being Left in the Dark. “Mr. Klawans is one of the most incisive, provocative and best-informed film critics in America.”—Vincent Canby “The genuine heir to James Agee and Manny Farber...dazzling to read.”—Phillip Lopate

Using scenarios found in everyday clinical practices, Don't Get Left in the Dark is a valuable resource containing the latest in ethnic skincare. It is based in science yet presented in a manner that is easy to understand.