An anguished god surveys a world stricken by fundamentalism in these powerful poems by a writer whose cultural experience spans three countries: Pakistan, the country of her birth, and Britain and India, her countries of adoption. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. She is also an accomplished artist, and all her collections are illustrated with her drawings, which form an integral part of her books. Postcards from god was her first book from Bloodaxe. It combines two collections published separately in India, Purdah (1989) and Postcards from god (1994). In Purdah she memorialises the betweenness of a traveller between cultures, exploring the dilemmas of negotiation among countries, lovers, children. Postcards from god meditates upon disquietudes in the poet's chosen society: its sudden acts of violence, its feuds and insanities, forcing her into a permanent wakefulness that fits her eyes with glass lids. If the poems collected in Purdah are windows shuttered upon a private world, those gathered into Postcards from god are doorways leading out into the lanes and shanties where strangers huddle, bereft of the tender grace of attention.

Beautiful postcards capture old Leeds in all its glory.

Seventeen-year-old Jacob Todd is about to discover himself. Jacob's plan is to go to Amsterdam to honor his grandfather who died during World War II. He expects to go, set flowers on his grandfather's tombstone, and explore the city. But nothing goes as planned. Jacob isn't prepared for love&150or to face questions about his sexuality. Most of all, he isn't prepared to hear what Geertrui, the woman who nursed his grandfather during the war, has to say about their relationship. Geertrui was always known as Jacob's grandfather's kind and generous nurse. But it seems that in the midst of terrible danger, Geertrui and Jacob's grandfather's time together blossomed into something more than a girl caring for a wounded soldier. And like Jacob, Geertrui was not prepared. Geertrui and Jacob live worlds apart, but their voices blend together to tell one story&150a story that transcends time and place and war. By turns moving, vulnerable, and thrilling, this extraordinary novel takes the reader on a memorable voyage of discovery.

For almost five decades, the United Kingdom made plans for a nuclear attack that never came. To help their citizens, civil servants, and armed forces prepare, those in power designed and published a variety of booklets, posters, and how-to guides. Most infamous among these was the Protect and Survive campaign, but just as fascinating are lesser-known materials prepared for the United Kingdom Warning and Monitoring Organisation and the Royal Observer Corps, many of which are reproduced here for the first time. From terrifying images issued by central government, to local councils' sometimes amateurish survival guides, 'Nuclear War in the UK' is a look at the way Britain's authorities reacted to the Soviet nuclear threat.

E. Annie Proulx's first novel, Postcards, winner of the 1993 Pen/Faulkner Award for Fiction, tells the mesmerizing tale of Loyal Blood, who misspends a lifetime running from a crime so terrible that it renders him forever incapable of touching a woman. Blood's odyssey begins in 1944 and takes him across the country from his hardscrabble Vermont hill farm to New York, across Ohio, Minnesota, and Montana to British Columbia, on to North Dakota, Wyoming, and New Mexico and ends, today, in California, with Blood homeless and near mad. Along the way, he must live a hundred lives to survive, mining gold, growing beans, hunting fossils and trapping, prospecting for uranium, and ranching. In his absence, disaster befalls his family; greatest among their terrible losses are the hard-won values of endurance and pride that were the legacy of farm people rooted in generations of intimacy with soil, weather, plants, and seasons. Postcards chronicles the lives of the rural and the dispossessed and charts their territory with the historical verisimilitude and writerly prowess of Cather, Dreiser, and Faulkner. It is a new American classic.

From the hiss and crackle of Britain?s CB radio heyday, only Eyeball cards remain. These are the mysterious business cards of ?breakers? exchanged when British CB enthusiasts would meet up in person after chatting on the airwaves. These alternate identities are sometimes amusing, occasionally mundane, dark or bawdy, but always personal creations ? flotsam from a more innocent analogue world. This book is the first to document this late 70s and early 80s sub culture and presents hundreds of the funniest, strangest and most intriguing Eyeball cards from across the UK