Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly—medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic—leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition.

Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly—medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic—leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition.

Ludelphia Bennett may be blind in one eye, but she can still put in a good stitch. Ludelphia sews all the time, especially when things go wrong. But when Mama goes into labor early and gets deathly ill, it seems like even quilting won?t help. That?s when Ludelphia decides to do something drastic?leave Gee?s Bend for the very first time. Mama needs medicine that can only be found miles away in Camden. But that doesn?t stop Ludelphia. She just puts one foot in front of the other. What ensues is a wonderful, riveting and sometimes dangerous adventure. Ludelphia weathers each challenge in a way that would make her mother proud, and ends up saving the day for her entire town. Set in 1932 and inspired by the rich quilting history of Gee?s Bend, Alabama, Leaving Gee?s Bend is a delightful, satisfying story of a young girl facing a brave new world.

“This small snapshot of the protest movement pays homage to both the determination of ordinary folk and the power of Dr. King’s words. . . . An intergenerational story filled with heart and soul.” — Kirkus Reviews When Alex spies a mule chomping on greens in a nearby garden, he can’t help but ask about it. “Ol’ Belle?” says Miz Pettway. “She can have all the collards she wants. She’s earned it.” And so begins the tale of an ordinary mule in Gee’s Bend, Alabama, that played a singular part in the civil rights movement of the 1960s. When African-Americans in a poor community — inspired by a visit from Dr. Martin Luther King Jr. — defied local authorities who were trying to stop them from registering to vote, many got around a long, imposed detour on mule-drawn wagons. As Alex looks into the eyes of gentle Belle, he begins to understand a significant time in history in a very personal way.

Travel back in time as Pearl shares her family history with her friends during a Sunday playdate. Why did her ancestors quilt? Where did they get the material? How did they come up with the patterns? Pearl is determined to continue the family tradition and make a Gee's Bend quilt all by herself one day. She even knows the exact spot where the quilt will hang in her grandmother's home.Her friends have doubts. Does she even know how to make a quilt? Is she creative like her Grandmother? Can she convince them that she has what it takes to be a quilter? Pearl's grandmother has taught her well. She is so proud that her grandgirl is interested in learning the old ways of years past. It warms Grandma's soul to hear Pearl share her knowledge with others. So much so that Grandma is moved to give Sallie and Ella a piece of Gee's Bend to help them share the story with their families for years to come.

Since the 19th century, the women of Gee’s Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 350 color illustrations, 30 black-and-white illustrations, and charts, Gee’s Bend to Rehoboth is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.

This collection of poems that tell the story of the quilt-making community in Gee’s Bend, Alabama, is now available as a Dragonfly paperback. For generations, the women of Gee’s Bend have made quilts to keep a family warm, as a pastime accompanied by sharing and singing, or to memorialize loved ones. Today, the same quilts hang on museum walls as modern masterpieces of color and design. Inspired by these quilts and the women who made them, award-winning author Patricia C. McKissack traveled to Alabama to learn their stories. The lyrical rite-of-passage narrative that is the result of her journey seamlessly weaves together the familial, cultural, spiritual, and historical strands of life in this community.