Jocelyn Minton is a woman torn between two worlds. Her mother grew up in a world of private schools and afternoon tea, but she married the local handyman. After her mother died when Joce was only five, her father remarried into his own class, and Joce was an outsider -- until she met Edilean Harcourt, sixty years her senior, but a kindred soul. When Miss Edi dies, she leaves Jocelyn all her worldly possessions, which include clues to a mystery that began in 1941, set in a small town in Virginia that Joce has never heard of. But, because of her benefactor's notorious past, the townspeople know who Joce is, and they've plotted out her entire future, including who she is meant to marry. But Jocelyn has her own ideas about men -- and secrets that no one wants revealed.

In an all-new trilogy set in blissful Edilean, Virginia, Jude Deveraux weaves together the tales of three young women, best friends since college, and the lives, loves, and dreams that await them. Sparks are flying between Jecca Layton and Dr. Tristan Aldredge. At the urging of her dear friend Kim, Jecca put the ruthless New York City art world on hold to spend the summer pursuing her passion for painting while enjoying Edilean's tightly knit artistic community. For years, Kim's cousin Tris-the town's handsome and dedicated doctor-felt a deep connection to Kim's college "sister" Jecca, though they had met only once before; now, Jecca is swept off her feet by this strong, sensitive man in a summer of sensual delights. But when long shadows announce Jecca's return to "real life" and the big city, the lovers must decide: Can they survive the distance? And who will sacrifice the life they've created for themselves to be together?

The influence of gays and lesbians on language, literature, theater, poetry, dance, music, and the arts is unmeasurable. In the era before AIDS, gay and lesbian culture had a defining, if unrecognized, influence on American life, an influence that is only now being acknowledged. This reissue of the classic anthology, Lavender Culture, serves as a provocative, dynamic, and wide-ranging reminder of American gay and lesbian culture in the days before the status of gay people received widespread attention in the media, religion, and politics, before Newsweek saw it fit to feature a cover story on LESBIANS, and before gays and lesbians took center stage in America's cultural landscape. Here we find the young, assertive voices of such activists, authors, and artists as Rita Mae Brown, Barbara Grier, John Stoltenberg, Julia Penelope, Andrea Dworkin, Andrew Kopkind, Jane Rule, Arthur Bell, Charlotte Bunche, and dozens more. Including essays on such diverse subjects as gay bath houses, the gay male image in classical ballet, images of gays in rock music, Judy Garland, lesbian humor, sports and machismo, the growing business of women's music, and the Cleveland bar scene in the 1940s, Lavender Culture, with new introductory essays by the editors and Cindy Patton, offers a panoply of gay and lesbian life, tracing the current influence and visibility of gay and lesbian culture back to its origins.

‘I don’t like killing, but I’m good at it. Murder isn’t so bad from a distance, just shapes popping up in my scope. Close-up work though – a garrotte around a target’s neck or a knife in their heart – it’s not for me. Too much empathy, that’s my problem. Usually. But not today. Today is different . . . ‘ The year is 1955 and something is very wrong with the world. It is fourteen years since Churchill died and the Second World War ended. In occupied Europe, Britain fights a cold war against a nuclear-armed Nazi Germany. In Berlin the Gestapo is on the trail of a beautiful young resistance fighter, and the head of the SS is plotting to dispose of an ailing Adolf Hitler and restart the war against Britain and her empire. Meanwhile, in a secret bunker hidden deep beneath the German countryside, scientists are experimenting with a force far beyond their understanding. Into this arena steps a nameless British assassin, on the run from a sinister cabal within his own government, and planning a private war against the Nazis. And now the fate of the world rests on a single kill in the morning . . .

When the young heiress Edilean Talbot turns up at her uncle's castle in Scotland, she may easily win over the members of the local clans with her great beauty and charm, but Laird Angus McTern is not so easily impressed. However, when Edilean's inheritance is stolen from her, Angus swallows his pride and sets off to recapture the pilfered gold. What he doesn't realise is that one of the trunks on the wagon actually contains Edilean, and he finds himself accused of kidnapping and theft. To avoid prosecution, the two of them board a ship to America and, during the course of the voyage, fall in love. But when they do arrive in the new country, Edilean is forced to return home by her fortune-hunting fiancé and the two lovers must endure a long separation. In the end, Edilean and Angus overcome every obstacle standing in their way, and they can finally begin their life together.