In this third installment of the popular Dirty Girls Social Club series by NY Times and USA Today bestselling author Alisa Valdes (formerly Valdes-Rodriguez) we find Boston newspaper columnist Lauren Fernandez running for her life from a handsome sociopathic killer, with the help of her two best friends -- and straight into the arms of a hot, mysterious New Mexico cowboy. We also find plus-sized materialistic glamazon Usnavys Rivera laid off and confronted with a downsized bank account and impending bankruptcy as her shopping spirals out of control; and prim and perfect Rebecca Baca discovering her father's secret "other" familiy, while also seeing the passion slip out of her marriage after the birth of her autistic son.

Moral outrage is one of the most compelling, complex, and powerful emotional responses. It is the affective currency that drives collective action in a democracy, where it can rally constituents, incentivize legislation, affect how we vote, and catalyze individual anger into righteous protests or mob rule. In recent years, outrage has bolstered extremism and political polarization, and it spurred thousands of self-prescribed "patriots" to storm the U.S. capitol. But it also gave birth to new social justice groups such as Black Lives Matter and March for Our Lives, and what began as an outraged tweet ultimately grew into the global #MeToo movement. This book offers the first interdisciplinary study of the myriad ways moral outrage is articulated, invoked, and mediated in contemporary U.S. society, from feminist and indigenous politics, climate activism, and school curriculum debates, to book banning, alt-right rhetoric, literature and entertainment venues. Setting its focus on the social dynamics and cultural effects of collective outrage, these timely essays underscore its vital function as a galvanizing force in identity politics, social change, policymaking and civic engagement.

Winner, 2016 ALA-Choice Outstanding Academic Title In Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century, Tace Hedrick illuminates how discourses of Americanization, ethnicity, gender, class, and commodification shape the genre of “chica lit,” popular fiction written by Latina authors with Latina characters. She argues that chica lit is produced and marketed in the same ways as contemporary romance and chick lit fiction, and aimed at an audience of twenty- to thirty-something upwardly mobile Latina readers. Its stories about young women’s ethnic class mobility and gendered romantic success tend to celebrate twenty-first century neoliberal narratives about Americanization, hard work, and individual success. However, Hedrick emphasizes, its focus on Latina characters necessarily inflects this celebratory mode: the elusiveness of meaning in its use of the very term “Latina” empties out the differences among and between Latina/o and Chicano/a groups in the United States. Of necessity, chica lit also struggles with questions about the actual social and economic “place” of Latinas and Chicanas in this same neoliberal landscape; these questions unsettle its reliance on the tried-and-true formulas of chick lit and romance writing. Looking at chica lit’s market-driven representations of difference, poverty, and Americanization, Hedrick shows how this writing functions within the larger arena of struggles over popular representation of Latinas and Chicanas.

The Cambridge History of Latina/o American Literature emphasizes the importance of understanding Latina/o literature not simply as a US ethnic phenomenon but more broadly as an important element of a trans-American literary imagination. Engaging with the dynamics of migration, linguistic and cultural translation, and the uneven distribution of resources across the Americas that characterize Latina/o literature, the essays in this History provide a critical overview of key texts, authors, themes, and contexts as discussed by leading scholars in the field. This book demonstrates the relevance of Latina/o literature for a world defined by the migration of people, commodities, and cultural expressions.

Is God Just a Distant Concept? An Award-Winning Religion Correspondent is Convinced the Answer is No and Explores the Possible Relationship with Our Creator Fox News Religion Correspondent Lauren Green uses her wealth of stories, vast network of contacts, and her own extensive study of theology to take the reader on a unique journey of spiritual discovery. With few female authors writing in the field of theology, Green provides an important perspective to all who wish to move closer to not only a deeper relationship with God but an understanding of what makes that possible. Green gathers insight from some amazing guides along the way, through personal conversations with some of the leading minds in the world on the topic of Christianity. These include: Timothy Keller John Piper Alister McGrath William Lane Craig John Lennox Sir John Polkinghorne Amy Beckman Elizabeth Lev … and many more Is God simply an accessory that we carry with us? Something similar to what we might download from a music site to suit our personal tastes—a personal assistant in a way? Or is He His law, His structure, and His authoritative Word contained in the Holy Scripture, an objective reality to which you daily shape your life? If we believe or know we should believe that it’s the latter, how do we make this happen? How do we live joyfully under God’s will in a world so drenched in the will of human desire? Lighthouse Faith explores the heart of the Christian doctrine and a pathway of perceiving God as an interactive hands-on presence; a caring and loving being. The first commandment is a life-giving force loaded with information about the world in which we live. This law stands atop the other nine commandments as a beacon of light, illuminating the created order, just as a lighthouse lamp shines in a darkened space, heralding a way to safety.

The correspondence between Margaret Laurence and Adele Wiseman covers a period of 40 years, from 1947-1986, and encompasses the professional and personal developments, accomplishments, disappointments, and satisfactions of that period.