"This volume explores how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the turn of the century. We are interested not only in understanding how literature and the arts confronted the unprecedented penetration of global capital in Latin America, but also in exploring the ways in which rapidly transforming technological and labor conditions contributed to forging new intellectual networks, creating original discourses, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume shows the new directions in turn-of-the-century scholarship that developed over the last two decades by investigating how the experience of capitalism produced an array of works that deal with primitive accumulation, transnational crossings, and an emerging technological and material reality in diverse geographies and a variety of cultural forms. The various contributions provide a novel understanding of the period as they discuss the ways in which particular commodities, intellectual networks, popular uprisings, materialities, and non-metropolitan locations redefined cultural production at a time when the place of Latin America in global affairs was significantly transformed"--

Latin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume shows the new directions in turn-of-the-century scholarship that developed over the last two decades by investigating how the experience of capitalism produced an array of works that deal with primitive accumulation, transnational crossings, and an emerging technological and material reality in diverse geographies and a variety of cultural forms. Essays provide a novel understanding of the period as they discuss the ways in which particular commodities, intellectual networks, popular uprisings, materialities, and non-metropolitan locations redefined cultural production at a time when the place of Latin America in global affairs was significantly transformed.

Latin American Literature in Transition 1800-1870 uses affect as an analytical tool to uncover the countervailing forces that shaped Latin American literatures and cultures during the first six decades of the nineteenth century. Chapters provide perspectives on colonial violence and its representation, on the development of the national idea, on communities within and beyond the nation, and on the intersectional development of subjectivity during and after processes of cultural and political independence. This volume includes interdisciplinary approaches to nineteenth-century Latin American cultures that range from visual and art history to historiography to comparative literature and the study of literary and popular print culture. This book engages with the complex and sometimes counterintuitive relationship between felt ideas of community and the political changes that shaped these affective networks and communities.

"The rendering and memory of the Paraguayan War was from its very beginning a conflictive endeavor. What historians have called the "first modern war" in the region was an overwhelming experience that defied its protagonists' ability to reconcile its violence with the ideals of an incipient national identity. It was also one of the first photographed conflicts worldwide, which, on the one hand, provided new access to the war experience to an extended audience, and, on the other, zeroed in on the voids and silences of the representations of the war. In this essay, I first study the unease in depicting and remembering the conflict, focusing on press coverage and José Ignacio Garmendia's memories. I then pause at some of the photographs taken by the studio Bate & Ca. and reflect on their power to disturb, move, and evoke the violence of war. I argue that these are images that demand an active gaze, calling on the viewer to complete that which is not being shown"--

"A series of wars and revolutions provide the fiery, unsettled bedrock for mid-twentieth-century Latin American literature: on a global scale, World War II and the Cold War mar political alliances; the Cuban Revolution, Peronist Argentina, and the 1968 student movements are some of the regional responses that develop from these international conflicts. Latching onto a transforming world, authors in this era appropriate the discomfort of transition to produce literary works of international acclaim. Mid-century Latin American literature has been framed as a market-driven phenomenon that opened the region up through an exoticization that captured international recognition. This volume takes a different approach, one that rests uncomfortably on a deep political instability - worldwide as well as regional - that is engaged aesthetically by literary authors. It argues that the literature of mid-century Latin America locates its strength within global and regional political conflicts, as well as from within the cultural and social tensions spurred on by economic disparities"--

Latin American Literature in Transition 1930-1980 explores the literary landscape of the mid-twentieth-century and the texts that were produced during that period. It takes four core areas of thematic and conceptual focus – solidarity, aesthetics and innovation, war, revolution and dictatorship, metropolis and ruins – and employs them to explore the complexity, heterogeneity and hybridity of form, genre, subject matter and discipline that characterised literature from the period. In doing so, it uncovers the points of transition, connection, contradiction, and tension that shaped the work of many canonical and non-canonical authors. It illuminates the conversations between genres, literary movements, disciplines and modes of representation that underpin writing form this period. Lastly, by focusing on canon and beyond, the volume visibilizes the aesthetics, poetics, politics, and social projects of writing, incorporating established writers, but also writers whose work is yet to be examined in all its complexity.

The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies, and infrastructure studies, among others. This volume both traces these genealogies and maps out key positions in this increasingly central field of Latin Americanism, at the same time as they relate it to the environmental humanities at large. By showing how artistic and literary productions illuminate critical zones of environmental thought, articulating urgent social and material issues with cultural archives, historical approaches and conceptual interventions, this volume offers cutting-edge critical tools for approaching literature and the arts from new angles that call into question the nature/culture boundary.