This edition of Jane Austen's surviving manuscripts includes Sanditon, Lady Susan and The Watsons, as well as her poems, prayers and shorter fragments.

A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.

Traces the history of the Bible from the earliest manuscripts to contemporary translations.

Late Medieval Irish Law Manuscripts: A Reappraisal of Methodology and Context challenges the long-held view that Irish law manuscripts produced in the secular law schools of the late medieval period are only the work of antiquarians. This book examines the texts in their political, social and cultural contexts, particularly in relation to the Irish revival of the fourteenth century onwards. Finnane’s examination of the manuscripts includes: legal interpretation and the role of glossing and commenting on older ‘canonical texts’ in establishing the authority of those texts in the present the use of the manuscripts in legal education the use of the past in providing legitimacy and authority, particularly in a legal context. Finnane argues that the manuscripts are the work of jurists authorising a revived legal system connected to a re-emergent Irish political elite, after more than a century of Anglo Norman invasion and rule.

Manuscripts, Market and the Transition to Print in Late Medieval Brittany surveys the production and marketing of non-monastic manuscripts and printed books over 150 years in late medieval Brittany, from the accession of the Montfort family to the ducal crown in 1364 to the duchy's formal assimilation by France in 1532. Brittany, as elsewhere, experienced the shift of manuscript production from monasteries to lay scriptoria and from rural settings to urban centers, as the motivation for copying the word in ink on parchment evolved from divine meditation to personal profit. Through her analysis of the physical aspects of Breton manuscripts and books, parchment and paper, textual layouts, scripts and typography, illumination and illustration, Diane Booton exposes previously unexplored connections between the tangible cultural artifacts and the society that produced, acquired and valued them. Innovatively, Booton's discussion incorporates archival research into the prices, wages and commissions associated with the manufacture of the works under discussion to shed new light on their economic and personal value.

This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.

This book is an anthology of the proceedings from the Second International Conference on Patristic Studies: "The Discoveries of Manuscripts from Late Antiquity: Their Impact on Patristic Studies and the Contemporary World". This event was held in San Juan, Argentina in March 2017. Time has an obvious lineal component where past, present and future seem to play out inevitably on after the other. However, time also has an enigmatic and reversible component by which the past can transform the present and future. This mysterious aspect of time seems to have been revealed in the discoveries of the Manuscripts of Late Antiquity, manuscripts discovered during the 20th and 21st centuries. Apparently as if by chance, complete libraries of manuscripts as well as individual documents of great importance for our understanding of historical authors and situations have come to light after having been buried for millennia. Just some examples are the incredible discoveries of the Nag Hammadi Gnostic library, the Dead Sea Scrolls, Origen of Alexandria's homilies, Augustine's sermons. etc. These manuscripts are not passive documents. They pose numerous questions to specialists from a diverse array of fields, demanding new evaluations of a past that was thought to be already understood and judged. This event attempted to answer these and other questions with careful scientific rigor, seeking answers that enrich our understanding of both the specific field of Patristic Studies and the contemporary world in general.