The great English country house tradition reached its apotheosis in the nineteenth century. Designed by all the most eminent architects of the age, houses constructed during this period were larger, more elaborate, and more lavishly furnished than ever before, and they became famous throughout Europe and America for their luxury, technological innovation, and convenience of plan. Michael Hall's survey draws on the vast archive of the great British magazine Country Life to present the fullest visual record yet published of the Victorian-era country house in England and Wales. It ranges from the High Gothic of Tyntesfield to Ferdinand Rothschild's flamboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen. These remarkable photographs are in many cases the only record of the great houses in their heyday; those such as Wrest Park, Thoresby Hall, and Hewell Grange were all sold in the twentieth century and their magnificent furniture and priceless artwork and collections dispersed. Houses that have survived with their interiors intact but are little known or rarely accessible to the public also feature prominently, such as Flintham Hall and the Earl of Harrowby's Sandon Hall. Highclere Castle, now famous as TV's Downton Abbey, features prominently. Spectacular color photographs provide a fascinating look at some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall and William Burges's Cardiff Castle to J. F. Bentley's Carlton Towers and J. D. Crace's astonishing interiors at Longleat. This chronologically arranged survey of Victorian houses spans the decades from the 1830s to the 1890s and includes not only new houses, but also historic county seats that have been in families for generations and were given major renovations or additions in this era. With over 150 superb color and black-and-white photographs specially selected to highlight the century's most significant houses and their architects and an authoritative commentary by Michael Hall, this book provides a thorough overview of a major period in British architectural history.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

What is Elegance? Coco Chanel stated that simplicity is the key to any kind of true elegance. But I dare to differ. Very often simplicity is not elegant at all. If we over-simplify our world, it becomes mono-dimensional, monochrome, lifeless and boring. If we simplify our world-view to an extent where the good cowboys wear white hats, and the bad cowboys black hats, we miss the multi-colour richness of experience the real world has to offer. Instead of trying to manage the complexities we face through black-and-white reductionism, we need to embrace our complex reality, merging with it, thus gaining a deep, complete and essential understanding of it. Once we have achieved a state of total immersion in a topic, we may find that elegant solutions suddenly present themselves in the most unexpected moments, like a flash of lightning, when inspiration strikes. Elegant solutions may seem simple at first, but don't be deceived! This type of simplicity is rich, complex, and deeply satisfying. It addresses the real root causes of a situation, and it usually has a broad-ranging effect. In the fields of information technology, mathematics and engineering, elegant solutions provide a surprisingly simple method, which is normally not obvious at first sight, to produce a highly effective result, often solving multiple problems at once - even problems which may not be inter-related! Maybe Coco Chanel's little black dress can teach us a lesson about true elegance? This little black piece of magic is designed to reveal just enough, and hide just enough of the lady wearing it, in order to highlight her beauty, whilst at the same time concealing possible challenges in the most complimentary way. Ideally, the little black dress should not be noticed at all by the beholder. If it does its job well, it should simply act as a platform on which the lady can shine! Elegant solutions are often gentlemanly, unassuming, polite, working their miracles in the background. They don't have to promote themselves. Elegant results speak for themselves!

Elegance represents an important watershed in architectural design. Since the onset of computer-driven technologies, innovative designers have, almost exclusively, been preoccupied with the pursuit of digital techniques. This issue of AD extrapolates current design tendencies and brings them together to present a new type of architecture, one that is seamlessly trying processes, space, structure and material together with beauty. ‘Elegance’ here is cast with a new contemporary meaning as it is applied to work that is effortlessly complex. It is analogous to an elegant algorithm that uses a small amount of initiative code to great effect. In a structure elegance may be expressed by a complex surface that retains its continuity and integrity even when punctured. In many ways, Elegance marks a coming of age for, ‘digital architecture’, as architects become more adept at producing complexity and integrating digital design technologies, production and assembly systems producing elegant solutions. It is the potent finesse that is often associated with the work of Zaha Hadid Architects and other featured architects, such as Mark Goulthorpe of Decoi and Hani Rashid of Asymptote.

After the return of the transcender, all sorts of otherworldly elders would collide within the shop. The person who destroyed a planet with a single punch could only obediently listen to the main character ...