From his first appearance in London in 1821 until his death in Paris in 1852, Count D'Orsay dominated and scandalized the whole of European society. For three decades he was the ultimate arbiter in matters of taste, style and fashion -- what D'Orsay wore today, society would wear tomorrow. He also enthralled Society with the thirty-year soap opera of his relationship with Lady Blessington, whose daughter he married and with whose husband he was suspected of having had an affair. Bisexual, flamboyant and outrageous, D'Orsay was said to have ruined the cream of British aristocracy. He toured Europe on an enormous spending spree; paid homage to a dying Lord Byron in Italy, set up a racing course in Notting Hill and a gambling den in St James's. Nick Foulkes' Last of the Dandies is a vivid biography of an astonishingly flamboyant figure and a dazzling portrait of an era.

Dandies: Fashion and Finesse in Art and Culture considers the visual languages, politics, and poetics of personal appearance. Dandyism has been most closely associated with influential caucasian Western men-about-town, epitomized by the 19th century style-setting of Oscar Wilde and by Tom Wolfe's white suits. The essays collected here, however, examine the spectacle and workings of dandyism to reveal that these were not the only dandies. On the contrary, art historians, literary and cultural historians, and anthropologists identify unrecognized dandies flourishing among early 19th century Native Americans, in Soviet Latvia, in Africa, throughout the African-American diaspora, among women, and in the art world. Moving beyond historical and fictional accounts of dandies, this volume juxtaposes theoretical models with evocative images and descriptions of clothing in order to link sartorial self-construction with artistic, social, and political self-invention. Taking into consideration the vast changes in thinking about identity in the academy, Dandies provides a compelling study of dandyism's destabilizing aesthetic enterprise. Contributors: Jennifer Blessing, Susan Fillin-Yeh, Rhonda Garelick, Joe Lucchesi, Kim Miller, Robert E. Moore, Richard J. Powell, Carter Ratcliffe, and Mark Allen Svede.

In a world of uniformity and globalized styles, only some cultivated gentlemen retain their independence over the way they dress and live. In this book, photographer Rose Callahan and writer Nathaniel Adams document the well-kempt lives of 57 protagonists of contemporary dandyism with a keen, yet empathie eye. Their carefully composed portraits not only depict the clothes, accessories, and homes of their subjects, but also capture the essence of their lifestyles in thoroughly entertaining and deeply insightful texts. The diversity of the men portrayed in I am Dandy is striking. They come from a variety of different countries, cultures, and social circles and make their livings in a range of occupations. By showcasing their styles, attitudes, and philosophies in all of their nuances, the book reveals that dandyism today is an attitude and calling that can be cultivated on any budget.

Black men appropriating, subverting, and reinventing the dress styles of society elites--described as "high-styled rebels" by author Shantrelle P. Lewis--are influencing the language of contemporary fashion. Dandy Lion presents and celebrates the black dandy movement, and its designers and tailors, in photographs and stories from all over the world.

An erudite look at the elusive qualities that have made the Dandy so remarkable. Perhaps the best-known is Beau Brummell, acknowledged as the very first Dandy. However, there are many other Dandies from around the world. And the Dandy has not died out, for there are Dandies thriving today.