NOW A MAJOR TV SERIES A terrifying apocalyptic thriller from the one of the brightest stars of the genre... 'Chillingly plausible' DAILY TELEGRAPH It seems to be a very normal Monday morning. But in the space of only a few days, the world's oil supplies have been severed and at a horrifying pace things begin to unravel everywhere. And this is no natural disaster: someone is behind this. Jenny is stuck in Manchester, fighting desperately against the rising chaos to get back to London, where her children are marooned as events begin to spiral out of control: riots, raging fires, looting, rape and murder. In the space of a week, London is transformed into a lawless and anarchic vision of hell. Jenny's estranged husband, oil engineer Andy Sutherland, is stranded in Iraq with a company of British soldiers, desperate to find a way home to his family, trapped as transport links and the very infrastructure of daily life begin to collapse around him. And against all this, a mysterious man is tracking Andy's family. He'll silence anyone who might be able to reveal the identities of those behind this global disaster. It seems that the same people who now have a stranglehold on the future of civilisation have flexed their muscles before, at other significant tipping points in history, and they are prepared to do anything to keep their secret - and their power - safe.

It only took four years for the world to fall apart. Now the last member of my family has died, and I'm forced to travel across what's left of three states to find the only people I know left alive. To survive, I'll have to salvage food and supplies and try to avoid violent men who've learned they can take what they want by force. The only way I'm going to make it is by trusting Travis. Travis used to fix my car, and now he's all I have left in the world. He's gruff and stoic and unfriendly, and I don't really know or like him. But he's all I have left. He'll keep me safe. We'll take care of each other. Until we reach what's left of our town and can finally let go of one another. Last Light is a standalone post-apocalyptic romance set in the near future after a global catastrophe.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing the greatest work of their long careers—and, in some cases, changing the course of art history. Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they’re free to reinvent themselves…sometimes with revolutionary results. Titian’s late style offered a way for pigment itself—not just the things it depicted—to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya’s late work enlarged the psychological territory that artists could enter. Monet’s late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

The first installment in a thrilling series in which a global catastrophe puts a family’s survival at risk—and both reveals the darkness in human hearts and lights the way to restoration. Birmingham, Alabama, has lost all power. Its streets are jammed with cars that won’t start and its airport is engulfed in flames from burning planes. All communications—cell phones, computers, even radios—are silent. Every home and business is dark. Is it a natural disaster, a terrorist attack, or something far worse? In the face of a crisis that sweeps an entire high-tech planet back to a time before electricity, the Branning family faces a choice. Will they hoard their possessions in order to survive—or trust God to provide as they share their resources with those around them? Yesterday’s world is gone. Family and community are all that remain. And the outage is revealing the worst in some. Desperation can be dangerous—especially when a killer lives among them. Full-length suspense novel The exciting first book in the Restoration series: Book 1: Last Light Book 2: Night Light Book 3: True Light Book 4: Dawn’s Light Includes a note from the author and discussion questions for book clubs

The final volume of the trilogy chronicles the Allied victory in Western Europe, from the brutal struggles in Normandy and at the Battle of the Bulge to the freeing of Paris, as experienced by participants from every level of the military.

A powerful, moving saga evoking the Celtic, Anglo-Saxon and Norse cultures of a thousand years ago from the acclaimed author of The Fionavar Tapestry. “A historical fantasy of the highest order, the work of a man who may well be the reigning master of the form.”—The Washington Post Book World Bern Thorkellson, punished for his father’s sins, denied his heritage and home, commits an act of vengeance and desperation that brings him face-to-face with a past he’s been trying to leave behind... In the Anglcyn lands of King Aeldred, the shrewd king, battling inner demons all the while, shores up his defenses with alliances and diplomacy—and with swords and arrows. Meanwhile his exceptional, unpredictable sons and daughters give shape to their own desires when battle comes and darkness falls in the spirit wood... And in the valleys and shrouded hills of the Cyngael, whose voices carry music even as they feud and raid amongst each other, violence and love become deeply interwoven when the dragon ships come and Alun ab Owyn, pursuing an enemy in the night, glimpses strange lights gleaming above forest pools... Making brilliant use of motifs from saga and song and chronicle, Guy Gavriel Kay conjures a work of subtle, intricate richness, bringing to life an unforgettable world balanced on the knife-edge of change.

An original novel set in the Halo Universe and based on the New York Times bestselling video game series! It is 2553, and the three-decade long Covenant War that defined a generation has suddenly drawn to a close. Yet, in the remotest parts of human space, tensions remain that threaten to overflow into another full-scale conflict. Beneath the surface of the planet Gao lies a vast cavern system renowned for its therapeutic effects and rumored miraculous cures. But now Gao natives are turning up brutally murdered down there—violent acts that happen to coincide with the recent arrival of a UNSC research battalion protected by Spartan Blue Team, led by the renowned Spartan-II Fred-104. Maverick detective Veta Lopis of the Gao Ministry of Protection is only trying to do her job as the Special Inspector assigned to catch a serial killer—one who is possibly hiding within the Spartan ranks—but she never anticipates the situation spiraling out of control into an all-out crisis. When Gao is revealed to harbor ancient Forerunner technology that could solidify the UNSC’s military supremacy for centuries to come, Insurrection loyalists within the planetary government will do anything—even align with a vicious faction of what remains of the Covenant—to ensure that never happens…