Stories of the "failed generation" set in the Chilean exile diaspora of Latin America and Europe.

"During the course of a single night, Father Sebastian Urrutia Lacroix, a Chilean priest who is a member of Opus Dei, a literary critic and a mediocre poet, relives some of the crucial events of his life. He believes he is dying, and in his feverish delirium various characters, both real and imaginary, appear to him as icy monsters, as if in sequences from a horror film. Among them are the great poet Pablo Neruda, the German novelist Ernst Junger, and General Augusto Pinochet - whom Father Lacroix instructs in Marxist doctrine - as well as various members of the Chilean intelligentsia whose lives, during a period of political turbulence, have touched his own."--Jacket.

A deluxe edition of Bolano’s complete poetry Perhaps surprisingly to some of his fiction fans, Roberto Bolano touted poetry as the superior art form, able to approach an infinity in which “you become infinitely small without disappearing.” When asked, “What makes you believe you’re a better poet than a novelist?” Bolano replied, “The poetry makes me blush less.” The sum of his life’s work in his preferred medium, The Unknown University is a showcase of Bolano’s gift for freely crossing genres, with poems written in prose, stories in verse, and flashes of writing that can hardly be categorized. “Poetry,” he believed, “is braver than anyone.”

One of the remarkable qualities of Bolaño's short stories is that they seem to tell what Bolaño called 'the secret story', 'the one we'll never know'. The Return contains thirteen unforgettable tales bent on returning to haunt you, most of them appearing in English for the first time here. Wide-ranging, suggestive, and daring, a Bolaño story is just as likely to concern the unexpected fate of a beautiful ex-girlfriend, the history of a porn star or two embittered police detectives debating their favourite weapons: his plots go anywhere and everywhere and they always surprise. Consider the title piece: a young party animal collapses in a Parisian disco and dies on the dance floor; just as his soul is departing his body, it realizes strange doings are afoot - and what follows next defies the imagination (except Bolaño's own, of course).

A collection that gathers everything Bolano was working on before his untimely death. A North American journalist in Paris is woken at 4 a.m. by a mysterious caller with urgent information. For V. S. Naipaul the prevalence of sodomy in Argentina is a symptom of the nation’s political ills. Daniela de Montecristo (familiar to readers of Nazi Literature in the Americas and 2666) recounts the loss of her virginity. Arturo Belano returns to Mexico City and meets the last disciples of Ulises Lima, who play in a band called The Asshole of Morelos. Belano’s son Gerónimo disappears in Berlin during the Days of Chaos in 2005. Memories of a return to the native land. Argentine writers as gangsters. Zombie schlock as allegory... The various pieces in the posthumous Secret of Evil extend the intricate, single web that is the work of Roberto Bolano.

A playful and entirely original novel masquerading as a mini-encyclopedia of nonexistent Nazi literature, Bolano's work is a tour de force of black humor.

A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. Amulet is a monologue, like Bolano's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafés and bars of the University. She's tall, thin, and blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolano's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women: the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara. And in the course of her imaginary visit to the house of Remedios Varo, Auxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book: an army of children is marching toward it, singing as they go. The children are the idealistic young Latin Americans who came to maturity in the '70s, and the last words of the novel are: "And that song is our amulet."