Last Call for the African-American Church revisits the commandment Jesus left his followers to proclaim the gospel worldwide until his return, one that by all accounts is no longer a priority in the contemporary African-American church. Despite the presence of euphoric praise-and-worship celebrations and the proliferation of diverse ministries it advertises as “cutting edge,” the implosion of missions has occurred in this church's pulpits and pews. Selected biblical foundations of missions are provided for those new to the parlance, and for others needing a refresher course. Along with conventional missions’ distinctions, Chester Williams logs some concepts in the glossary he himself has constructed, for readers and for collegial review. They include the feminization of missions, rummage sale missions, missions without Jesus, and window dressing missions. For the most part, these concepts represent a radical departure from apostolic missions and are viewed as biblical tinkering and convolution, most importantly, as obstructions to the Great Commission—world harvesting.

The American republic is suffering its gravest crisis since the Civil War. Will conflicts, hostility, and incivility tear the country apart? Os Guinness provides a careful observation of the American experiment, offering a stirring vision for faithful citizenship and renewed responsibility for not only the nation but also the watching world.

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Waking Up to God's Missionary Call In the pages of this book, Rev. Leonidas A. Johnson eloquently shares how God's missionary call, like an aromatic stew, has been simmering within the African American church. According to him, "The African American church will play a critical role in spreading the gospel message to people groups living in areas of the world that represent the last strongholds and citadels of satanic power attempting to stop God's Mission."

The twenty-first century is marked by a renewed emphasis on the missional responsibility of individual Christians and local churches. Churches on Mission: God’s Grace Abounding to the Nations is an attempt to explore the relationship between the local church and its missionary responsibilities. Through history, theology, case studies, and actual ministry practices, each author in this collection presents an aspect of local church participation. The book aims to be informational and inspirational on many levels and invites readers from local churches to become active participants in the mission of God.

Throughout the history of the African American people there has been no stronger resource for overcoming adversity than the black church. From its role in leading a group of free Blacks to form a colony in Sierra Leone in the 1790s to helping ex-slaves after the Civil War, and from playing major roles in the Civil Rights Movement to offering community outreach programs in American cities today, black churches have been the focal point of social change in their communities. Based on extensive research over several years, Mighty Like a River is the first comprehensive account of how black churches have helped shape American society. An expert in African American culture, Andrew Billingsley surveys nearly a thousand black churches across the country, including its oldest, the First African Baptist Church in Savannah, Georgia. These black churches, whose roots extend back to antebellum times, have periodically confronted social, economic, and political problems facing the African American community. Mighty Like a River addresses such questions as: How widespread and effective is the community activity of black churches? What are the patterns of activities being undertaken today? How do activist churches confront such problems as family instability, youth development, AIDS and other health issues, and care for the elderly? With profiles of the remarkable black heroes and heroines who helped create the activist church, and a compelling agenda for expanding the black church's role in society at large, Mighty Like a River is an inspirational, visionary, and definitive account of the subject.

The words of Martin Luther King Jr.'s "I Have a Dream" speech have become enshrined in US history. But after the end of King's generation of leadership, what happened to the African American struggle for freedom? Like the ancient Israelites, the African American community has survived a four-hundred-year collective trauma. What will it take for them to reach the promised land that King foresaw—to be truly free at last? In this classic historical and cultural study, Carl Ellis offers an in-depth assessment of the state of African American freedom and dignity. Stressing how important it is for African Americans to reflect on their roots, he traces the growth of Black consciousness from the days of slavery to the 1990s, noting especially the contributions of King and Malcolm X. Ellis examines elements of Black culture and offers a distinct perspective on how God is active in culture more broadly. Free at Last? concludes with a call for new generations of "jazz theologians" and cultural prophets to revitalize the African American church and expand its cultural range. The book also includes a helpful glossary of people, events, and terms. Ellis writes, "It is my prayer that the principles contained in this book will play a role in building bridges of understanding and facilitating reconciliation where there has been alienation." With a new preface by the author, this groundbreaking book is now available as part of the IVP Signature Collection.