With this publication I try to systematically and comprehensively process the subject of ,,Japanese sword mountings". It was not my goal to depict as many extant interpretations of sword mountings as possible but to deal with their different styles. With this publication the reader will be informed in which way the Japanese swords were mounted over time, the origins of the various styles, what changes they underwent and it will also serve as a reference material to classify extant specimen. In this sense the descriptions were embedded in an explanation of their historical context rather then listing them simply by their interpretation or in alphabetical order. As the main focus lies on ,,koshirae", explanations on the sword fittings - the tosogu - were omitted because their descriptions can be easily found elsewhere. Also, the military mountings - the gunto-koshirae - were left out because there are excellent publications available which deal with them in great detail.

This completely new encyclopedic reference for the Japanese sword contains about 2,500 terms, many of them illustrated by photos and drawings. The Encyclopedia of Japanese Swords is an A-Z general encyclopedia covering each and every part of the sword: the blade, the mountings, the fittings, and all their different interpretations. Further, this encyclopedia also explains the literal or etymological meaning of each Japanese term and provides an even deeper insight into the subject.

"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.

First published: London: The British Museum Press, 2004.

It is often said that Masamune was the greatest Japanese swordsmith of all times From a mere technical point of view, it is next to impossible to say if there was one "greatest" swordsmith as the country brought forth so many great master smiths. Each of these masters had a personal approach in producing a perfect sword, and within these elite circles we are not only referring to technical perfection but also to aesthetical considerations. So putting aside the claim to name a "greatest," we can at least say for sure that Masamune is by far the most famous swordsmith of Japan. The aim of this publication is to contribute to the understanding and appreciation of this great master, that is to say by not only presenting his works but also by providing a newly researched and detailed historic overview of his life and the circumstances in the establishment of a new forging tradition. This publication introduces more than 50 of his meibutsu (noted swords). PLEASE SEE LULU.COM FOR THE HARDCOVER COLOR DELUXE EDITION.

One of the foremost experts on the Japanese sword describes their history andppreciations in this book, with photographs and illustrations.