Prepare to be swept away by a story that is intimate, true, and utterly compelling. Margi Gibb’s much-loved father dies and, with her immediate family largely gone, her life is changed irrevocably. Immersing herself more deeply in art and music, she travels to America to study the sacred art of the mandala, exploring the wisdom traditions of Indigenous Indian peoples in the process. Then after a serendipitous encounter back in Australia she travels to Dharamsala to care for children in an after school program at a Tibetan women's handicraft cooperative. Her underlying passion is to initiate guitar lessons for Tibetan refugees. What follows is unexpected. Margi’s developing bonds with two very different Tibetan men, Tenzin and Yonten, change her life in complex and enduring ways. Eventually she journeys to Tibet. Kissed by a Deer is a book about East and West. It is a passionate quest for the personal and intellectual truth that only comes through lived experience. Gibb’s story gives us amazing places, and wonderful characters, people we come to love and care about despite their failings. In its pages, wisdom searchingly finds its humble roots in the connections of heart, imagination and mind; in the midst of the act of living.

This book records the stories of doctoral study experiences of the twenty-two writers. These research degree experiences are embedded in the lives and careers of the writers and the twenty-two distinctive projects draw from those individual lives and careers. The authors write about meeting the continuing demands of older and younger family members and of their struggles with ill health and work place demands while working through their studies. There is also the joy of coming to see themselves and being seen as research scholars and supporting and celebrating with others as they move through candidature proposals and ethics applications to graduation. Apart from the stories that bring the writers to their particular projects and that colour their individual journeys, storying methodology is most often selected for the research, all of which is undertaken within the arts, humanities and education. Phenomenology, narrative, ethnography are central to most of the studies and the detailed accounts of each research topic, methods and outcomes locate each of the research projects in rich bodies of knowledge. Valued writers and readers in these fields, Mary Beattie and Elaine Martin have read each reflection and provided in turn a foreword and an afterword which bookend the volume and further enrich these reflections on learning, life and work.

Wearing it in his own novels, Mu Yifan indicated that he was conflicted!Wearing this in his novels as a zombie, Mu Yifan was extremely conflicted.Wearing it into his own novel would become the Zombie King that killed the male lead, and would no longer be calm even if the male lead was reborn one month before he returned to the world to seek revenge!Therefore, he decided to be ruthless and kill the male lead before he was reborn!Ah!?Wait a minute, what was this tempo?Wasn't he writing science fiction?Why did it become a BL?

A board-book valentine that children will want to open over and over again. This little love story proves that a kiss is not just a kiss. It is a bountiful fount of surprises, spreading love far and wide, and growing sweeter as it goes! What better message to give a person you love than one of such joy and happy affection?

Deer Companions includes several years of observations and experiences at a deer farm. The reader will be introduced to a herd of several dozen white-tailed deer, become closely acquainted with several (and their human caretakers), and even see a little of what used to be called natural history. The nearest likeness to the author’s experience is the proverbial traveler to a distant land who becomes adopted into an exotic tribe. We will see the herd’s social structure, as it were, from the inside, and acquire a jealous, but very devoted, sweetheart. (That’s her on the cover.) The author has seen this happen to several other people but, after extensive research, can find no published mention of it. The picture doesn’t do it justice; no one else can see the look in Sugar’s eyes when she does that. There is also an extensive appendix describing habitat and herd manipulations in all fifty states of the Union to “enhance sporting opportunities”—multiply deer populations for hunters’ benefit. This puts away any claim that hunting is about population control.

Did William Shakespeare ever meet Queen Elizabeth I? There is no evidence of such a meeting, yet for three centuries writers and artists have been provoked and inspired to imagine it. Shakespeare and Elizabeth is the first book to explore the rich history of invented encounters between the poet and the Queen, and examines how and why the mythology of these two charismatic and enduring cultural icons has been intertwined in British and American culture. Helen Hackett follows the history of meetings between Shakespeare and Elizabeth through historical novels, plays, paintings, and films, ranging from well-known works such as Sir Walter Scott's Kenilworth and the film Shakespeare in Love to lesser known but equally fascinating examples. Raising intriguing questions about the boundaries separating scholarship and fiction, Hackett looks at biographers and critics who continue to delve into links between the queen and the poet. In the Shakespeare authorship controversy there have even been claims that Shakespeare was Elizabeth's secret son or lover, or that Elizabeth herself was the genius Shakespeare. Hackett uncovers the reasons behind the lasting appeal of their combined reputations, and she locates this interest in their enigmatic sexual identities, as well as in the ways they represent political tensions and national aspirations. Considering a wealth of examples, Shakespeare and Elizabeth shows how central this double myth is to both elite and popular culture in Britain and the United States, and how vibrantly it is reshaped in different eras.

Interesting facts about deer in a smooth narrative.