V.I.'s battleaxe Aunt Rosa is under investigation by the FBI and SEC after counterfeit stock certificates were found at St. Albert's Priory, where she serves as treasurer. As malicious as her aunt is, V.I. knows she's not dishonest, so V.I. vows to protect her from taking the fall. But V.I. starts questioning the strength of her family ties when a menacing voice on the phone threatens to throw acid into her eyes if she doesn't butt out. The stakes are high as she begins to sniff out a connection between Chicago's most powerful institutions: the Church and the Mob.

The book represents an earthquake in genocide studies, particularly in the field of Armenian Genocide research. A unique feature of the Armenian Genocide has been the long-standing efforts of successive Turkish governments to deny its historicity and to hide the documentary evidencesurrounding it. This book provides a major clarification of the often blurred lines between facts and truth in regard to these events. The authenticity of the killing orders signed by Ottoman Interior Minister Talat Pasha and the memoirs of the Ottoman bureaucrat Naim Efendi have been two of the most contested topics in this regard. The denialist school has long argued that these documents and memoirs were all forgeries, produced by Armenians to further their claims. Taner Akçam provides the evidence to refute the basis of these claims and demonstrates clearly why the documents can be trusted as authentic, revealing the genocidal intent of the Ottoman-Turkish government towards its Armenian population. As such, this work removes a cornerstone from the denialist edifice, and further establishes the historicity of the Armenian Genocide.

This fascinating study shows how terrorism as developed and practiced in Romanov Russia has, over the past century, manifested itself as the template for modern and postmodern terrorism as a universal sociocultural, psychological, and existential experience, irrespective of particular political causes, ethnic distinctions, and ideological boundaries. Arguing that Russia is the birthplace of modern terrorism, Death Orders: The Vanguard of Modern Terrorism in Revolutionary Russia uses the nation as a case study of psycho-historical patterns of worldwide terrorist activity during the past century. Key features of early-20th century Russian political extremism serve as models for terrorist experiences in other periods and regions as author Anna Geifman builds a typology of a universal phenomenon. The book shows how, in Russia and elsewhere, terrorists' objectives have degenerated from punishment of individual adversaries and attempts to intimidate political elites to indiscriminate acts of political violence. It shifts attention from ideology to practices that had been previously hidden, ignored, or rationalized, demonstrating that what terrorists say about their motives may not be what actually drives them to brutality. By looking closely at Russian precedents for the general experience of modern political violence, the book helps illuminate many obscure aspects of terrorism today.

This book explores the unique social and environmental factors which influence soldiers to commit war crimes. With a focus on decision-making processes, this monograph provides a significant interdisciplinary analysis of how soldiers decide to follow the commands of their superior officers, even if that means acting illegally. Making the key distinction between normal civilian society and the shocking realities of war, the author facilitates the reader with a comprehensive understanding of what a front-line soldier faces in contemporary combat situations. Killing on Command presents the limits of the law in preventing the occurrence of war crimes. Realistic and practical measures for armed conflict, including the regulation and prevention of violence, and the just implementation of legal standards are all questioned and examined in depth. Given a current focus on the regulation of conduct in war, and the recent prosecution of soldiers, this book will be of particular interest to scholars in the fields of criminology and international relations, as well as policy-makers.

When the body of a theology student is found on a desolate stretch of coast in East Anglia, his wealthy father demands that Scotland Yard should re-examine the verdict of accidental death. Commander Adam Dalgliesh agrees to pay a visit to the young man's theological college, St Anselm's, a place he knew as a boy, expecting no more than a nostalgic return to old haunts and a straightforward examination of the evidence. Instead he finds himself embroiled in intrigue, secrets and mystery as the college is torn apart by a sacrilegious and horrifying murder . . . Award-winning P.D. James (author of Death Comes to Pemberley and Children of Men) masterfully explores an isolated and beleaguered community coping with the evil and disruption of murder. In 2003, this novel was adapted for BBC television and starred Martin Shaw, Hugh Fraser and Robert Hardy. Set on the wild coast of East Anglia, this number one bestseller is the fourteenth Adam Dalgliesh novel and a thrilling work of crime fiction possessing all of the qualities which distinguish P. D. James as a novelist.

In this legal thriller from the New York Times–bestselling author of Against the Wind, breaking into a mansion for a laugh turns into a sobering crime. Maria Estrada, a hard-partying girl with family ties to some of the toughest gangsters in California, had no idea an old mansion could be so beautiful. The boy who broke into it with her had a feeling she might be impressed. But by the time the night is over, Maria has been brutally killed, and the boy is nowhere to be found. It’s up to PI Kate Blanchard and Luke Garrison, a criminal lawyer, to decipher what happened in the grand old mansion. To bring Maria’s killer to justice, they must locate the elusive connection between the poverty where she was raised and the affluence of where she died.

One of our country’s premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race. Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the “killing rage”—the fierce anger of black people stung by repeated instances of everyday racism—finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.