Why do some cities grow economically while others decline? Why do some show sustained economic performance while others cycle up and down? In Keys to the City, Michael Storper, one of the world's leading economic geographers, looks at why we should consider economic development issues within a regional context--at the level of the city-region--and why city economies develop unequally. Storper identifies four contexts that shape urban economic development: economic, institutional, innovational and interactional, and political. The book explores how these contexts operate and how they interact, leading to developmental success in some regions and failure in others. Demonstrating that the global economy is increasingly driven by its major cities, the keys to the city are the keys to global development. In his conclusion, Storper specifies eight rules of economic development targeted at policymakers. Keys to the City explains why economists, sociologists, and political scientists should take geography seriously.

The author travels throughout New York City as an emergency locksmith extraordinaire. As he unlocks their homes and cars, they open their lives to him. These fourteen vignettes, gathered in twenty years on the job, also trace the author's own life, from broken-hearted lover to newlywed to first-time father to emerging writer.

From the author of MY SECRET GUIDE TO PARIS and SEALED WITH A SECRET comes a magical trip through New York City! Lindy can't believe she has homework this summer -- to find her "true passion." Does curling up with a good book count? Probably not. Luckily, Lindy has the help of a new friend, a happy dog, and a special journal, as she hits the streets of New York City to unlock her secret talents!

The Key to the City brings together work that has long been admired by readers of literary magazines and quarterlies. The collection opens with "The Ruins," a group of poems set in poor neighborhoods in New York City—some so cut off from midtown that they seem part of another continent or another age. The people in these poems are schoolgirls, a cleaning lady in the laundromat, derelicts, a prostitute stabbed in the street. Their interwoven voices contribute to a complex, grave vision of remote causes and immediate suffering in the city. The poems of the second section explore a broad range of experience: pregnancy and nursing, inward solitude, the textures of Renaissance painting and American landscapes.

From Snapchat sensation, business mogul, and recording artist DJ Khaled, the book They don't want you to read reveals his major keys to success. - Stay away from They - Don’t ever play yourself - Secure the bag - Respect the code - Glorify your success - Don’t deny the heat - Keep two rooms cooking at the same time - Win, win, win no matter what

Religious thinkers have overlooked an important truth: God's act of creation is interpersonal and immediately causes only perfect creatures with perfect freedom to respond. Uniquely integrating and deepening what traditional theists have always believed, the author relates the untold story of freedom in creation. Particular attention is given to the unconscious dimension of the mind and to its roots in the spiritual. The book highlights the infinite freedom of God and the perfect finite freedom of all persons within the Creator's activity. Awakening to God's gift of two different, but intimately related creations...absolute (out of nothing) and redemptive (out of something)...twenty-first century believers are offered a momentous opportunity for humility and joy. Readers are given a whole new vista for understanding suffering and love.

“Surely one of the most ingenious love letters—full of violence, fear, humour, and cunning—ever addressed to a city.” —Geoff Dyer This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).