A bilingual volume of some of Kaifi Azmiýs finest poetry: One of the finest Urdu poets of the subcontinent, Kaifi Azmi has borne witness to an entire era of social change. Born in 1918 in Azamgarh, Uttar Pradesh, in a zamindar family, Azmi wrote his first poem at the age of eleven. He joined the Communist Party when he was nineteen, and wrote for the Party paper, Quami Jung. Subsequently, he moved to Bombay, and wrote his first lyric for the film Buzdil, directed by Shahid Latif, in 1948. A member of the Progressive Writersý movement, Azmi has been an active spokesperson for several workersý unions and works passionately to rectify social injustices even today. The richness of experience and maturity of perspective is captured in his poems, which reflect the many aspects of Azmiýman, lover, activist and poet. Some of his best verses are about the plight of the exploited, like the famous ýMakaaný which highlights a system where the poor, homeless footpath dwellers build palaces for the rich. At the other end of the spectrum are his love poems, including memorable lyrics for films that haunt the reader with their tenderness and contained passion. Azmiýs preoccupation with such disparate themes are indicative as much of his zest for life as his sincerity and honesty of experience. Brilliantly translated by Pavan K. Varma, this bilingual selection brings to a wider audience the wisdom and lyricism of Azmiýs poetry.

Kaifi Azmi's literary legacy remains a bright star in the firmament of Urdu poetry. His poetic temperament-ranging from timeless lyrics in films like Kagaz Ke Phool to soaring revolutionary verses that denounced tyranny-seamlessly combined the radical and the progressive with the lyrical and the romantic. Love and romance, in fact, run like warp through the woof of politics and protest in Kaifi's poetry. This beautifully curated volume brings together poems and lyrics that reflect Kaifi's views on women and romance-from sweetly lyrical odes like 'The First Greeting' to the powerful, anthem-like 'Woman'; from the haunting 'Regret' to the mercurial 'She of Many Faces'. These stunning verses conjure a dynamic portrait of womanhood as seen through the eyes of an exquisitely gifted poet. This scintillating new translation is accompanied by an illuminating introduction by Rakhshanda Jalil on Kaifi Azmi's life and legacy, as well as a moving foreword by his daughter Shabana Azmi.

Collection of poems by various poets; includes short biography of the poets.

This book is about the life and work of Ghulam Mohammed one of the greatest music directors of Hindi film industry whose compositions are priceless. A genius who gave remarkable music and a man with an unbeatable talent. His music is immortal.

From the heart of a well-known family of Hyderabad to life in a single room with the barest of necessities, Shaukat Kaifi's memoir of her life with the renowned poet Kaifi Azmi speaks of love and commitment. A marriage of over a half a century, a life steeped in poetry and progressive politics, continuing involvement with the Indian People's Theatre Association, the Progressive Writers Association, Prithvi Theatre... all of these and more inform this beautifully told tale of love. Shaukat Kaifi's writing details life in a communist commune, a long career in theatre and film and a life spent bringing up her two children, cinematographer Baba Azmi and actor Shabana Azmi. Nasreen Rehman's deft and fluent translation brings this luminous memoir alive with warmth and empathy. "To say that this is a lovely book would be an understatement. It is an enchanting recollection of the life of a hugely talented and sensitive human being, shared with a great poet." -- Amartya Sen. Published by Zubaan.

BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of assistants, arrangers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.