"Julian Bream's influence is apparent in every area of the classical guitar repertoire, He transcribed Baroque works by Scarlatti, Buxtehude, Cimarosa, etc., and is acknowledged as one of the great interpreters of the music of J. S. Bach. He revitalised awareness of the early nineteenth century works of Sor, Giuliani, and Aguado, while bringing to the public the music of Spain from the sixteenth century to the present day and breathing new fire into Latin American music by composers such as Villa-Lobos, Ponce and Brouwer.".

The full eBook version of The Classical Guitar Collection in fixed-layout format. The Classical Guitar Collection contains 48 classical guitar solos from classical greats such as Mozart, Grieg, Purcell and J.S. Bach. This collection features many of Julian Bream's classic arrangements of well-known guitar masterpieces for Intermediate to Advanced level guitar students. Contents: - Valtz Op.7 No.6) (Aguado) - Asturias (Leyenda) (Albeniz) - Spanish Romance (Anon) - Scherzo (Op.107) (Arnold) - Arietta (Op.107) (Arnold) - I (Two Preludes) (J.S. Bach) - Courante (from suite in E minor) (J.S. Bach) - Sarabande (from suite in E minor) (J.S. Bach) - Bouree in E minor (BWV 996) (J.S. Bach) - Aria (Brescianello) - Gavotta (Brescianello) - Allemande (suite in E minor)(Buxtehude) - Courante (from suite in E minor) (Buxtehude) - Sarabande (from suite in E minor) (Buxtehude) - Gigue (from suite in E minor) (Buxtehude) - Sicilienne (Op. 34 No.2) (Carulli) - Sonata 2 (Cimarosa) - La Fille aux Chevaux de Lin (Two Preludes) (Debussy) - Minstrels (Two Preludes) (Debussy) - Andante Sostenuto (from Sonata in F major) (Diabelli) - Ejercicio: Allegretto (Ferrer) - Vals (Ferrer) - Sarabande (suite in A minor) (Froberger) - Gigue (suite in A minor) (Froberger) - Valse (Three Lyric Pieces op.12) (Grieg) - Watchman's Song (Three Lyric Pieces) (Grieg) - Fairy Dance (Three Lyric Pieces) (Grieg) - Etude Allegro Spiritoso (Guiliani) - Lecon (Guiliani) - La Catedral (Mangore) - A Winter Landscape (Little Suite For Guitar) (Maw) - Landler (Op.9 No.4) (Mertz) - Landler (Op.9 No.5) (Mertz) - Gaillarde (Morlaye) - Larghetto and Allegro (Mozart) - Air (Four pieces) (Purcell) - Rondo (Four Pieces) (Purcell) - Minuet (Four Pieces) (Purcell) - Hornpipe (Four Pieces) (Purcell) - Maria Luisa: Mazurka (Sagreras) - Nostalgia: Petite Melodie (Sagreras) - Theme with Variations (Schumann) - Into The Dreaming (Sculthorpe) - Etude (Op.31 No.23) (Sor) - Waltz (Op.7 No.1 (Strauss) - Waltz (Op.7 No.3) (Strauss) - Capricho Arabe (Tarrega) - Recurdos de la Alhambra (Tarrega)

First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.

Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings.