One of The Guardian’s “1,000 Books to Read Before You Die” This underrated classic of contemporary Irish literature tells the “utterly transfixing” story of a lonely, poverty-stricken spinster in 1950s Belfast (The Boston Globe) Judith Hearne is an unmarried woman of a certain age who has come down in society. She has few skills and is full of the prejudices and pieties of her genteel Belfast upbringing. But Judith has a secret life. And she is just one heartbreak away from revealing it to the world. Hailed by Graham Greene, Thomas Flanagan, and Harper Lee alike, The Lonely Passion of Judith Hearne is an unflinching and deeply sympathetic portrait of a woman destroyed by self and circumstance. First published in 1955, it marked Brian Moore as a major figure in English literature (he would go on to be short-listed three times for the Booker Prize) and established him as an astute chronicler of the human soul. “Seldom in modern fiction has any character been revealed so completely or been made to seem so poignantly real.” —The New York Times

A timeless classic dealing with the complexity and hardships of relationships, addiction and faith.

The first major book to consider the life and work of Robert Arneson, A Troublesome Subject tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of ArnesonÕs career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how ArnesonÕs work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through ArnesonÕs careerÑchronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post-1970 turn to self-portraiture.

Shortlisted for the Man Booker Prize: A married woman begins an impulsive affair in Paris in this novel of “brilliant insight” (The Times, London). Sheila Redden, a devoted mother and reserved wife of a busy Belfast surgeon, is awaiting the arrival of her husband at a Paris hotel. In a matter of days, they’ll be celebrating a second honeymoon after sixteen years of marriage. But Sheila never could’ve imagined the chance encounter with Tom, a handsome and attentive American student—or that in one inexplicable moment, she’d abandon everything she knows to disappear into the unknown with an irresistible stranger. It’s more than a sexual awakening. It’s a chance to see her ordinary life from a distance—her dutiful role as mother and wife, her sacrifices, her lost sense of self, and the realization that she’s already been vanishing little by little for quite some time. All the while, Sheila’s concerned husband and brother are retracing her steps, following her on a cathartic and devastating journey that’s far from over.

A day in the life of a mad housewife in Manhattan: “One of the truest and most awesome books I have ever read” (The Scotsman). She was born Mary Dunne. A New York actress in a stalled career, she’s previously been known as Maria and Martha. Married three times, she’s also been called Mrs. Phelan, Mrs. Bell, and currently, Mrs. Terence Lavery—wife of the esteemed playwright. No wonder Mary Dunne forgot her name this morning at the hairdresser. She has no idea who she is anymore. Or maybe she’s just crazy. She’s curious to find out. Over the course of a single day, Mary tries to recall more than her name. But as memories of her past come trickling back—infuriating, illuminating, and grievous—she realizes there’s so much she’d prefer to forget. As she tries to escape what she calls “the dooms,” Mary must confront what she’s done with her life—deliberately, haplessly, or by default. If only she were going crazy; it would be so much easier to explain it all away. Hailed by the Globe and Mail as a “feminist novel written before the wave of feminist novels began,” I Am Mary Dunne is “as complex and satisfying as anything Moore has yet done” (The Observer).