A collection of pop-ups and illustrations based on the personal notebooks and sketches of Leonardo da Vinci. Includes 3-D pop-ups of six of da Vinci's most famous ideas that never took physical form - until now.

Amazing Leonardo da Vinci Inventions You Can Build Yourself introduces readers to the life, world, and incredible mind of Leonardo da Vinci through hands-on building projects that explore his invention ideas. Most of Leonardo's inventions were never made in his lifetime—they remained sketches in his famous notebooks. Amazing Leonardo da Vinci Inventions You Can Build Yourself shows you how to bring these ideas to life using common household supplies. Detailed step-by-step instructions, diagrams, and templates for creating each project combine with historical facts and anecdotes, biographies and trivia about the real-life models for each project. Together they give kids a first-hand look into the amazing mind of one the world’s greatest inventors.

A guide to ancient accomplishments and inventions unearths the origins of modern creations, including computers in ancient Greece, plastic surgery in India in the first century B.C., and a postal service in medieval Baghdad

Journal of Discovery is a unique collection of exquisite pop-ups and illustrations that celebrates these intellectual pioneers--Copernicus, Edison, Gutenberg, Watt, the Lumi�re brothers, Marconi, and Bell--and their awe-inspiring works. Readers will learn about the Lumi�re brothers, who made the first motion picture, and Guglielmo Marconi, who developed the first radio telegraph picture. They'll find out how James Watt perfected the steam engine and how Johannes Gutenberg developed his innovative method of printing. They'll learn how these ideas were received in the past, and how they continue to influence our present--and our future.

A captivating, humorous, and downright perplexing selection of nineteenth-century inventions as revealed through remarkable–and hitherto unseen–illustrations from the British National Archive Inventions that Didn’t Change the World is a fascinating visual tour through some of the most bizarre inventions registered with the British authorities in the nineteenth century. In an era when Britain was the workshop of the world, design protection (nowadays patenting) was all the rage, and the apparently lenient approval process meant that all manner of bizarre curiosities were painstakingly recorded, in beautiful color illustrations and well-penned explanatory text, alongside the genuinely great inventions of the period. Irreverent commentary contextualizes each submission as well as taking a humorous view on how each has stood the test of time. This book introduces such gems as a ventilating top hat; an artificial leech; a design for an aerial machine adapted for the arctic regions; an anti-explosive alarm whistle; a tennis racket with ball-picker; and a currant-cleaning machine. Here is everything the end user could possibly require for a problem he never knew he had. Organized by area of application—industry, clothing, transportation, medical, health and safety, the home, and leisure—Inventions that Didn’t Change the World reveals the concerns of a bygone era giddy with the possibilities of a newly industrialized world.

Welcome to the world of that archetypal American, Reuben Lucius Goldberg, the dean of American cartoonists for most of the twentieth century. For more than sixty-five years, Rube Goldberg's syndicated cartoons -- he produced more than fifty strips -- appeared in as many as a thousand newspapers annually He was earning a hundred thousand dollars a year...in 1915. He wrote hit songs and stories and was, in succession, a star in vaudeville, motion pictures, newsreels, radio, and, finally, television. He even, at the age of eighty, began an entirely new career as a sculptor, and, in inimitable Goldberg fashion, was soon selling his work to galleries, collectors, and museums all over the world. Sure, Rube won the Pulitzer Prize. Every yearsomecartoonist wins the Pulitzer Prize. But the National Cartoonists Societynamedits award -- the Reuben -- after you-know-who. But it was Rube's "Inventions," those drawings of intricate and whimsical machines, that earned Rube his very own entry inWebster's New World Dictionary: Rube Goldberg...adjective...Designating any very complicated invention, machine, scheme, etc. laboriously contrived to perform a seemingly simple operation. "Inventions," even the earliest ones that date from 1914, are still being republished and recycled today as they have been over the last eighty-five years. New generations rediscover and enjoy them every day, even though their creator cleaned his pens, put the cap on his bottle of Higgins Black India Ink, and cleared his drawing board for the last time almost thirty years ago. The inventions inspired the National Rube Goldberg™ Machine Contest, held annually at Purdue University, an "Olympics of complexity" in which hundreds of engineering students from American universities and colleges -- and even middle and high schools -- compete to build and run Rube Goldberg invention machines that perform, in twenty or more steps, the annual challenge. In 1970 the Smithsonian Institution hosted a show honoring Rube Goldberg's lifework. In a life filled with superlatives, it hardly needs mentioning that Rube is the only living cartoonist and humorist to have been so honored. In his speech at the show's opening, Rube said, "Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I am a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like spiral staircase, veal cutlets, barber's itch -- terms that give you an immediate picture of what they mean..." So welcome to a collection of spiral staircases and veal cutlets -- to the inventions of an American original, a creative genius named Rube Goldberg.

The dialectic between reason and imagination forms a key element in Romantic and post- Romantic philosophy, science, literature, and art. Inventions of the Imagination explores the diverse theories and assessments of this dialectic in essays by philosophers and literary and cultural critics. By the end of the eighteenth century, reason as the predominant human faculty had run its course, and imagination emerged as another force whose contributions to human intellectual existence and productivity had to be newly calculated and constantly recalibrated. The attempt to establish a universal form of reason alongside a plurality of imaginative capacities describes the ideological program of modernism from the end of the eighteenth century to the present day. This collection chronicles some of the vicissitudes in the conceptualization and evaluation of the imagination across time and in various disciplines.