?This honest man, this good man, this man who never did wrong to anyone, who devoted his life to the public good, and who was one of the greatest writers in Algeria, has been murdered. . . . Not by accident, not by mistake, but called by his name and killed with preference.? So wrote Germaine Tillion in Le Monde shortly after Mouloud Feraoun?s assassination by a right wing French terrorist group, the Organisation Armäe Secr_te, just three days before the official cease-fire ended Algeria?s eight-year battle for independence from France. However, not even the gunmen of the OAS could prevent Feraoun?s journal from being published. Journal, 1955?1962 appeared posthumously in French in 1962 and remains the single most important account of everyday life in Algeria during decolonization. Feraoun was one of Algeria?s leading writers. He was a friend of Albert Camus, Emmanuel Robl_s, Pierre Bourdieu, and other French and North African intellectuals. A committed teacher, he had dedicated his life to preparing Algeria?s youth for a better future. As a Muslim and Kabyle writer, his reflections on the war in Algeria afford penetrating insights into the nuances of Algerian nationalism, as well as into complex aspects of intellectual, colonial, and national identity. Feraoun?s Journal captures the heartbreak of a writer profoundly aware of the social and political turmoil of the time. This classic account, now available in English, should be read by anyone interested in the history of European colonialism and the tragedies of contemporary Algeria.

?This honest man, this good man, this man who never did wrong to anyone, who devoted his life to the public good, and who was one of the greatest writers in Algeria, has been murdered. . . . Not by accident, not by mistake, but called by his name and killed with preference.? So wrote Germaine Tillion in Le Monde shortly after Mouloud Feraoun?s assassination by a right wing French terrorist group, the Organisation Armäe Secr_te, just three days before the official cease-fire ended Algeria?s eight-year battle for independence from France. However, not even the gunmen of the OAS could prevent Feraoun?s journal from being published. Journal, 1955?1962 appeared posthumously in French in 1962 and remains the single most important account of everyday life in Algeria during decolonization. Feraoun was one of Algeria?s leading writers. He was a friend of Albert Camus, Emmanuel Robl_s, Pierre Bourdieu, and other French and North African intellectuals. A committed teacher, he had dedicated his life to preparing Algeria?s youth for a better future. As a Muslim and Kabyle writer, his reflections on the war in Algeria afford penetrating insights into the nuances of Algerian nationalism, as well as into complex aspects of intellectual, colonial, and national identity. Feraoun?s Journal captures the heartbreak of a writer profoundly aware of the social and political turmoil of the time. This classic account, now available in English, should be read by anyone interested in the history of European colonialism and the tragedies of contemporary Algeria.

Yves Congar was a theological advisor to the preparatory commission for Vatican II, and attended all sessions of the Council (1962-1965) as a theological expert. His daily journal provides a window into the Council's workings and into the development of what would become a series of historical documents and declarations. Theologian Yves Congar op, silenced and exiled in 1955, was in 1960 made a theological advisor to the preparatory commission for Vatican II. From then on, and all through the Council (1962-1965), he was an influential day-to-day participant in its work. His diary provides a window into the Council's workings and the development of what would become a series of historical documents and declarations. It also offers Congar's own down-to-earth and candid perspective on many of the remarkable people and events that shaped the Council.

On May 26, 1993, the Algerian novelist and poet Tahar Djaout was gunned down in an attack attributed to Islamist extremists. An outspoken critic of the extremism roiling his nation, Djaout, in his death, became a powerful symbol for the “murder of Algerian culture,” as scores of journalists, writers, and scholars were targeted in a swelling wave of violence. The author of twelve books of fiction and poetry, Djaout was murdered at a critical point in his career, just as his literary voice was maturing. His death was a great loss not only for Algeria and for Francophone literature but also for world literature. Rage at the news of his slaying was explosive but did nothing to quell the increasing bloodshed. Silence Is Death considers the life and work of Djaout in light of his murder and his role in the conflict that raged between Islamist terrorist cells and Algeria’s military regime in the 1990s. The result is an innovative meditation on death, authorship, and the political role of intellectuals. By collapsing the genres of history, biography, personal memoir, fiction, and cultural analysis, Julija Šukys investigates notions of authorial neutrality as well as the relationship between reader and writer in life and in death. Her work offers a view of reading as an encounter across time and place and opens the possibility of a relationship between different cultures under peaceful terms.