This book takes a postcritical perspective on Joseph Conrad’s central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim. Whereas critique is a form of reading that prioritizes suspicion, unmasking, and demystifying, postcritique ascribes positive value to the knowledge, affect, ethics, and politics that emerge from literature. The essays in this collection recognize the dark elements in Conrad’s fiction—deceit, vanity, avarice, lust, cynicism, and cruelty—yet they perceive hopefulness as well. Conrad’s skepticism unveils the dark heart of politics, and his critical heritage can feed our fear that humanity is incapable of improving. This Conrad is a well-known figure, but there is another, neglected Conrad that this book aims to bring to light, one who delves into the politics of hope as well as the politics of fear. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com

'This collection of essays is a significant contribution to both Conrad studies and the critique / postcritique debate. Through a series of original, insightful and pertinently suggestive critical essays, focussed largely on canonical works by Conrad (Heart of Darkness, Lord Jim and The Secret Agent), it constitutes a paradigm shift in Conrad studies, while, at the same time, using Conrad as a case study, to demonstrate and explore a variety of postcritical approaches.' -Professor Robert Hampson, FEA, FRSA, Research Fellow, The Institute of English Studies, University of London, UK This book takes a postcritical perspective on Joseph Conrad's central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim. Whereas critique is a form of reading that prioritizes suspicion, unmasking, and demystifying, postcritique ascribes positive value to the knowledge, affect, ethics, and politics that emerge from literature. The essays in this collection recognize the dark elements in Conrad's fiction-deceit, vanity, avarice, lust, cynicism, and cruelty-yet they perceive hopefulness as well. Conrad's skepticism unveils the dark heart of politics, and his critical heritage can feed our fear that humanity is incapable of improving. This Conrad is a well-known figure, but there is another, neglected Conrad that this book aims to bring to light, one who delves into the politics of hope as well as the politics of fear. Jay Parker is Assistant Professor in the English Department of the Hang Seng University of Hong Kong, Hong Kong. He has published articles on Conrad in relation to liberalism and to justice in Textual Practice, Law and Literature and The Conradian. He was awarded the Juliet McLauchlan Prize in 2012 and the Bruce Harkness Young Scholar Award in 2015 for his research on Conrad, and is fiction editor of the Hong Kong Review of Books, as well as Advisory Editor for The Conradian. He is currently completing a book on Conrad and Liberalism. Joyce Wexler is Professor Emerita of English at Loyola University Chicago, USA. She is the author of Violence without God: The Rhetorical Dilemma of Twentieth-Century Writers (2016), Who Paid for Modernism? Art, Money, and the Fiction of Conrad, Joyce, and Lawrence (1997), Laura Riding: A Bibliography (1981), and Laura Riding's Pursuit of Truth (1979). She currently serves as President of the Joseph Conrad Society of America. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. The breadth and scope of Peters's study make this text an essential resource for Conrad scholars and students of English literature and literary criticism.

This book explores how the anarchist fiction of Joseph Conrad can help us understand terrorism today. Conrad undermines the popular view that terrorists are fanatics. He portrays anarchists and police as counterparts driven by the human desires for autonomy and affiliation, the need to control their own lives and to be part of a group. Postcritique encourages readers to consider the accuracy of such information, and research in Terrorism Studies confirms Conrad’s insights: his characters are more realistic and his political stance is more hopeful than critics have recognized.

First Published in 1986. On 22 January 1910, after two years’ work on what he had intended as a break from Chance, Conrad finally finished the manuscript of Under Western Eyes. It had been begun, like many of his novels, as a short story, to be called simply ‘Razumov’, in which he would try ‘to capture the very soul of things Russian’ (Jean-Aubry, 1927, II, p. 64). Some 130,000 words later, Conrad was physically, mentally and emotionally exhausted. This is a collection of correspondence, biography and writing on Joseph Conrad’s work.

Joseph Conrad's Heart of Darkness is not simply a critique of colonialism in the Congo; it is an examination of the human tendency toward self-endangering corruptibility. In this updated collection of critical essays, master literary scholar Harold Bloom suggests that this resonant work has taken on the power of myth. Book jacket.

Joseph Conrad's novels and short stories explore the nature of narrative, reality, and competing notions of truth. This new volume offers a new selection of contemporary critical commentary on the author of such classic works as ""Lord Jim"", ""Nostromo"", and ""Heart of Darkness"". This new edition also contains an introduction penned by literary scholar Harold Bloom, a bibliography, a chronology of the author's life, and an index for reference.