A collection of writings from and about New England’s Great Awakening—a spiritual movement that gave rise to American evangelicalism—from the theologian and philosopher who first reported it to the masses Jonathan Edwards (1703–1758) is recognized today as a great theologian and philosopher. In his own day Edwards was best known as a leader of what is now known as the Great Awakening: a series of small-town revivals that mushroomed into a movement credited with giving birth to American evangelicalism and laying the groundwork for the American Revolution. In authoritative texts drawn from first editions and manuscript sources, this volume brings together all of Edwards’s essential writings from and about the revivals, including the famous sermon “Sinners in the Hands of an Angry God” and his vivid Faithful Narrative of the Surprising Work of God in the Conversion of Many Hundreds of Souls, the work that first publicized the awakenings. Characterized by precise logic and powerful imagery, his writing continues to inspire students and spiritual seekers alike. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Interpreting the Great Awakening of the 18th century was in large part the work of Jonathan Edwards, whose writings on the subject defined the revival tradition in America. This text demonstrates how Edwards defended the evangelical experience against overheated zealous and rationalistic critics.

Peter Underhill was smitten by Ebony Mills the moment she joined his street hockey team--a coal-eyed, tomboy goddess, as dark and dazzling as he was pale and awkward. That she returned his affection was a boy's dream come true. But despite a bond that grew into their teens, Peter's intolerant father and Ebony's meddling family finally forced them apart. That was twenty years ago--and Peter has been trying to find his way back to his first and true love ever since. . . When she was a kid, Ebony feared no one, not even Peter's violent, bigoted father. Back then, Ebony said she'd love Peter forever, and she meant it. It didn't matter that they couldn't share milestones like the high school prom together--what they had was the real thing, and nobody could take it away. . .or could they? Even now, Ebony doesn't quite understand how she and Peter disappeared from each other's lives. Has the hatred that surrounded them finally won? Ebony doesn't want to believe that, but she knows one thing: if she ever has the chance to reunite with Peter, she'll never let him go. Because you don't throw away something that only comes along once in a lifetime. You don't mess with original love. . .

At the height of the Jazz Age, Ring Lardner was America’s most beloved humorist, equally admired by a popular audience and by literary friends like F. Scott Fitzgerald and Edmund Wilson. A sports writer who became a sensation with his comic baseball bestseller, You Know Me Al, Lardner had a rare gift for inspired nonsense and an ear attuned to the rhythms and hilarious oddities of American speech. He was also a sharp and dispassionate observer of the American scene. His best stories—among them such masterpieces as “Haircut,” “The Golden Honeymoon,” “A Caddy’s Diary,” and “The Love Nest”—cast a devastating eye on the hypocrisies, prejudices, and petty scheming of everyday life. In this Library of America edition, editor Ian Frazier surveys the whole sweep of Lardner’s talents, offering contemporary readers his finest stories, the full texts of You Know Me Al, The Big Town, and the long out-of-print The Real Dope, and a generous sampling of his humor pieces, sports reporting, song lyrics, and surrealist playlets. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Pulitzer Prize– and National Book Award–winning volume of writings from the author of Pale Horse, Pale Rider—now combined with little-known works of prose for the very first time Eudora Welty said that Katherine Anne Porter “writes stories with a power that stamps them to their very last detail on the memory.” Set in her native Texas and her beloved Mexico, prewar Nazi Germany and the gothic Old South, they are stories of love, outrage, betrayal, and spiritual reckoning that are severe but never cruel, and always exquisitely precise. They number fewer than thirty, but as Robert Penn Warren commented, “many are unsurpassed in modern fiction.” The Library of America now reprints the landmark 1965 volume, The Collected Stories of Katherine Anne Porter—which features tales like “Pale Horse, Pale Rider” and “Flowering Judas”—and pairs it with a completely new selection from Porter’s long-out-of-print short prose. Expanding the contents of her 1952 collection The Days Before to include both early journalism and major pieces from her final three decades, the prose works collected here are grouped in four parts: critical essays on writers she loved and learned from, including James, Cather, Lawrence, and Colette; personal essays and speeches on such topics as the craft of writing, her own work, women in myth and in history, and American politics; essays and reports on Mexican life, letters, and revolution; and two previously uncollected forays into autobiography. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.