Winner at the 2014 Living Now Book Awards A tale full of tenderness that touches the heart, reminding us that music is the true language of the soul, and that our differences can be solved through good intentions and friendship. Guided Reading Level: N, Lexile Level: 940L

DIVDIVThe third novel in Jones’s classic World War II trilogy: a moving story of four World War II infantrymen coping with the difficulties of recovering at an army hospital and learning to readjust to the home front/divDIV /divDIVAt the end of a long journey across the Pacific, a ship catches sight of California. On board are hundreds of injured soldiers, survivors of the American infantry’s battle to wrest the South Seas from the Japanese Empire. As the men on deck cheer their imminent return to their families, wives, and favorite girls, four stay below, unable to join in the celebration. These men are broken by war and haunted by what they learned there of the savagery of mankind. As they convalesce in a hospital in Memphis, the pain of that knowledge will torment them far worse than any wound./divDIV /divDIVThe third of James Jones’s epics based on his life in the army, this posthumously published novel draws on his own experiences to depict the horrors of war and their persistence even after the jungle is left behind./divDIV /divThis ebook features an illustrated biography of James Jones including rare photos from the author’s estate. /div

NEW YORK TIMES BESTSELLER From Face the Nation moderator and contributing editor for The Atlantic John Dickerson come the stories behind the stories of the most memorable moments in American presidential campaign history. The stakes are high. The characters full of striving and ego. Presidential campaigns are a contest for control of power in the most powerful country on earth. The battle of ideas has a clear end, with winners and losers, and along the way there are sharp turning points-primaries, debates, conventions, and scandals that squeeze candidates into emergency action, frantic grasping, and heroic gambles. As Mike Murphy the political strategist put it, "Campaigns are like war without bullets." WHISTLESTOP tells the human story of nervous gambits hatched in first-floor hotel rooms, failures of will before the microphone, and the cross-country crack-ups of long-planned stratagems. At the bar at the end of a campaign day, these are the stories reporters rehash for themselves and embellish for newcomers. In addition to the familiar tales, WHISTLESTOP also remembers the forgotten stories about the bruising and reckless campaigns of the nineteenth century when the combatants believed the consequences included the fate of the republic itself. Some of the most modern-feeling elements of the American presidential campaign were born before the roads were paved and electric lights lit the convention halls-or there were convention halls at all. WHISTLESTOP is a ride through the American campaign history with one of its most enthusiastic conductors guiding you through the landmarks along the way.

"The story the ATF doesn't want you to know"--Dust jacket.

"Taking stock of his 40 years of participating in and coaching sports and strength, Dan John compiles his most important lessons in this book of coaching tips"--

The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.

Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.