After injuring his hand, a silvermith's apprentice in Boston becomes a messenger for the Sons of Liberty in the days before the American Revolution.

Johnny Tremain, winner of the 1944 Newbery Medal, is one of the finest historical novels ever written for children. As compelling today as it was seventy years ago, to read this riveting novel is to live through the defining events leading up to the American Revolutionary War. Fourteen-year-old Johnny Tremain, an apprentice silversmith with a bright future ahead of him, injures his hand in a tragic accident, forcing him to look for other work. In his new job as a horse-boy, riding for the patriotic newspaper, The Boston Observer, and as a messenger for the Sons of Liberty, he encounters John Hancock, Samuel Adams, and Dr. Joseph Warren. Soon Johnny is involved in the pivotal events shaping the American Revolution from the Boston Tea Party to the first shots fired at Lexington. Powerful illustrations by American artist Michael McCurdy bring to life Esther Forbes's quintessential novel of the American Revolution.

Johnny Tremain, winner of the 1944 Newbery Medal, is one of the finest historical novels ever written for children. As compelling today as it was fifty years ago, to read this riveting novel is to live through the defining events leading up to the American Revolutionary War. Fourteen-year old Johnny Tremain, an apprentice silversmith with a bright future ahead of him, injures his hand in a tragic accident, forcing him to look for other work. In his new job as a horse-boy, riding for the patriotic newspaper, the Boston Observer, and as a messenger for the Sons of Liberty, he encounters John Hancock, Samuel Adams, and Dr. Joseph Warren. Soon Johnny is involved in the pivotal events shaping the American Revolution from the Boston Tea Party to the first shots fired at Lexington. Powerful illustrations by American artist Michael McCurdy, bring to life Esther Forbes' quintessential novel of the American Revolution.

A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.

This New York Times bestseller set during the American Revolution is “an exciting tale of love and war in the tradition of Gone with the Wind” (Chicago Tribune). A bustling port city, Charleston, South Carolina, is the crossroads of the American Revolution, supplies and weapons for the rebel army being unloaded there and then smuggled north. Recently engaged to the heir to a magnificent plantation, Celia Garth watches all of this thrilling activity from the window of the dressmaker’s shop where she works. When the unthinkable occurs and the British capture and occupy Charleston, bringing fiery retribution to the surrounding countryside, Celia sees her world destroyed. The rebel cause seems lost until the Swamp Fox, American General Francis Marion, takes the fight to the British—and one of his daring young soldiers recruits Celia to spy on the rebels’ behalf. Out of the ashes of Charleston and the Carolina countryside will rise a new nation—and a love that will change Celia Garth forever.

Story, told in beautiful poetic prose, of the training of a present-day Navajo Indian boy who feels a vocation to become a medicine man.

George Robert Twelves Hewes, a Boston shoemaker who participated in such key events of the American Revolution as the Boston Massacre and the Tea Party, might have been lost to history if not for his longevity and the historical mood of the 1830's. When the Tea Party became a leading symbol of the Revolutionary ear fifty years after the actual event, this 'common man' in his nineties was 'discovered' and celebrated in Boston as a national hero. Young pieces together this extraordinary tale, adding new insights about the role that individual and collective memory play in shaping our understanding of history.