"There has been only one manager-and his name is McGraw."-Connie Mack. "Diligently researched and artfully written, John McGraw illuminates not only the man but the transformation of America and its national pastime between 1890 and 1930."-San Francisco Chronicle. "Absorbing. . . . Alexander is a lively writer and a crisp storyteller."-New York Times. "From a historian of Alexander's stature one can expect more than just another sports book, and the result is not disappointing. With great erudition and meticulous research, he brings to life not only a game and its competitors but a whole period of U.S. history."-America. "Sports biography at its best: an entertaining, scholarly treatment of the life and times of a legendary figure. . . . Alexander portrays famed Giant manager John McGraw without sentimental bias."-Library Journal. "He ate gunpowder every morning, " complained one umpire, "and washed it down with warm blood." That described John McGraw, who in the 1890s was the rowdiest member of the ferocious Baltimore Orioles, the club that pioneered the hit-and-run, the cutoff, the squeeze play, and the "Baltimore chop." In 1902 he began his thirty-season reign as manager of the Giants, winning ten pennants-a record matched only by Casey Stengel. His career in baseball spanned forty years and two eras-from the game's raucous early days to its emergence as big business. Charles C. Alexander, a professor of history at Ohio University, Athens, and the author of Ty Cobb, calls John McGraw "perhaps the single most significant figure in baseball's history before Babe Ruth transformed the game with his mammoth home runs and unparalleled showmanship."

From its beginnings in prehistoric religion to its central importance in Western faith traditions, the soul has been a constant source of fascination and speculation. Brain & Belief seeks to understand mankind's obsession with life, death, and the afterlife. Exploring the latest insights from neuroscience, psychopharmacology, and existential psychology, McGraw exhaustively researches the various takes on the human soul and considers the meaning of the soul in a postmodern world. The ambitious scope of the book is balanced by a deeply personal voice whose sympathy for both science and religion is resonant.

In 1919, fifteen-year-old Hank escapes an abusive father and goes looking for a chance to become a baseball player, accompanied by a man who calls himself Chief Sunrise and claims to be a full-blooded Seminole.

NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.

Focusing on the unusual friendship between John McGraw and Christy Mathewson, "The Old Ball Game" is a masterful chronicle of the early days of baseball from America's most beloved sportswriter. Illustrations throughout.

The 1911 New York Giants stole an astonishing 347 bases, a record that still stands more than a century later. That alone makes them special in baseball history, but as Maury Klein relates in Stealing Games they also embodied a rapidly changing America on the cusp of a faster, more frenetic pace of life dominated by machines, technology, and urban culture. Baseball, too, was evolving from the dead-ball to the live-ball era--the cork-centered ball was introduced in 1910 and structurally changed not only the outcome of individual games but the way the game itself was played, requiring upgraded equipment, new rules, and new ways of adjudicating. Changing performance also changed the relationship between management and players. The Giants had two stars--the brilliant manager John McGraw and aging pitcher Christy Mathewson--and memorable characters such as Rube Marquard and Fred Snodgrass; yet their speed and tenacity led to three pennants in a row starting in 1911. Stealing Games gives a great team its due and underscores once more the rich connection between sports and culture.

The nineteenth-century American Colonization Society (ACS) project of persuading all American free blacks to emigrate to the ACS colony of Liberia could never be accomplished. Few free blacks volunteered, and greater numbers would have overwhelmed the meager resources of the ACS. Given that reality, who supported African colonization and why? No...