"JFK, Nixon, Oliver Stone and Me is the funny, thoughtful memoir of an accomplished former Congressional staffer who left D.C. for Hollywood and a job with Oliver Stone, hoping to help make politically"

This is the companion book to the Hollywood film, "Nixon". It includes the annotated screenplay, an interview with Oliver Stone, essays by prominent figures associated with Nixon and Watergate, previously classified memos and documents from the Nixon White House, and transcripts of Nixon's taped conversations in the Oval Office. Oliver Stone is the director, producer and co-author of "Nixon".

Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation

A memoir by an accomplished former Congressional staffer who left D.C. for L.A. and a job with filmmaker Oliver Stone in 1993. Expecting to make politically engaged films and make a difference for the better, he instead found himself immersed in a wildly dysfunctional world ruled by greed, paranoia, narcissism, competition, alcohol, and drugs. Annotation copyrighted by Book News, Inc., Portland, OR

“People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate). “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times

An intimate memoir by the controversial and outspoken Oscar-winning director and screenwriter about his complicated New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface. Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with in-the-moment details of the high and low moments: We see meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); his risky on-the-ground research of Miami drug cartels for Scarface; his stormy relationship with The Deer Hunter director Michael Cimino; the breathless hustles to finance the acclaimed and divisive Salvador; and tensions behind the scenes of his first Academy Award-winning film, Midnight Express. Chasing the Light is a true insider's look at Hollywood's years of upheaval in the 1970s and '80s.

Gives an account of the presidencies of John F. Kennedy, Richard Nixon, and George W. Bush as fictionalized in Stone's biographical films JFK, Nixon, and W. Synthesizing film criticism with political and historical analysis, the author reflects on both Stone's achievements as a filmmaker and American politics of the past sixty years