Amorous jealousy is not a monster, as Shakespeare's venomous Iago claims. It is neither prickly and bitter fancy nor a cruel and mean passion, nor yet a symptom of feeble self-esteem. All those who have experienced its wounds are well aware that it is not callous, nasty, delusional and ridiculous. It is just painful. Yet for centuries moralists have poured scorn and contempt on a feeling that, in their view, we should fight in every possible way. It is allegedly a disease to be treated, a moral vice to be eradicated, an ugly, pre-modern, illiberal, proprietary emotion to be overcome. Above all, no one should ever admit to being jealous. So should we silence this embarrassing sentiment? Or should we, like the heroines of Greek tragedy, see it as a fundamental human demand for reciprocity in love? By examining its cultural history from the ancient Greeks to La Rochefoucauld, Hobbes, Kant, Stendhal, Freud, Beauvoir, Sartre and Lacan, this book demonstrates how jealousy, far from being a 'green-eyed' fiend, reveals the intense and apprehensive nature of all erotic love, which is the desire to be desired. We should never be ashamed to love.

Falling in love with your boss is never a good idea. And if you're a lesbian and she's straight - that's double trouble right there. When Kim and her very attractive, straight, and married boss Sonja find themselves having to share a hotel room at an out-of-town conference, one thing leads to another. But after one night of forbidden passion Sonja almost cruelly tells Kim they're finished. Sonja's emotional and physical distance is a torment to Kim. And aside from the obsessiveness of being in love, there are more questions: What is really going on in Sonja's marriage? Is Sonja who Kim really thinks she is, after all? And - what are the chances that love will prevail?

A “fascinating [and] evocative” analysis of these powerful emotions by the #1 New York Times–bestselling author of My Mother/My Self (Kirkus Reviews, starred review). What is jealousy, and how does it undermine our closest relationships? Renowned journalist and author Nancy Friday tackles this difficult topic with compelling honesty and depth of insight. Here, Friday explores the feeling of fear and its connection to jealousy—specifically the fear of losing love and power. Informed by close readings of psychological treatises on jealousy as well as anecdotal interviews, she offers new insights into jealousy at every stage of life--from childhood to old age. The author of the iconic bestseller My Secret Garden, Nancy Friday is known for her courage in tackling incredibly intimate, personal topics head-on and with astonishing honesty. Here, she turns her focus toward an emotional issue that often cripples loving relationships—and shows new pathways toward healing.

This volume presents a broad range of studies on a variety of emotions from social scientific perspectives. Bringing together scholars from disciplines including sociology, psychology, anthropology and philosophy, it examines emotions including desire, empathy, freedom, happiness, hate, disgust, humiliation, guilt, unemotionality and despair, exploring the main facets of these emotions and considering the ways in which they are manifested and folded into our cultural and social lives. It will therefore appeal to scholars across the social sciences with interests in emotion, affect and contemporary culture.

In the period when the constraining customs and public scrutiny prevailed, there were still writers who wrote about the true nature of woman's passion. e-artnow presents to you the collection of the greatest tales of love, lust, pleasure and betrayal. _x000D_ Content:_x000D_ Fantomina (Eliza Haywood)_x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ The Fortunate Foundlings (Eliza Haywood)_x000D_ Powder and Patch (Georgette Heyer)_x000D_ The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer)_x000D_ Belinda (Maria Edgeworth)_x000D_ Patronage (Maria Edgeworth)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Cecilia (Fanny Burney)_x000D_ Camilla (Fanny Burney)_x000D_ The Wanderer (Fanny Burney)_x000D_ Mary: A Fiction (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Sense and Sensibility (Jane Austen)_x000D_ Mansfield Park (Jane Austen)_x000D_ Emma (Jane Austen)_x000D_ Persuasion (Jane Austen)_x000D_ Miss Marjoribanks (Mrs. Olifant)_x000D_ Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (William Makepeace Thackeray)_x000D_ Pamela (Samuel Richardson)_x000D_ Anti-Pamela (Eliza Haywood)_x000D_ Shamela (Henry Fielding)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady (Henry James)_x000D_ The Wings of the Dove (Henry James) _x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Scarlet Letter (Nathaniel Hawthorne)_x000D_ The Miranda Trilogy (Grace Livingston Hill)

A reflective volume of essays on literature and literary study from a storied professor. In The Pensive Citadel, Victor Brombert looks back on a lifetime of learning within a university world greatly altered since he entered Yale on the GI Bill in the 1940s. Yet for all that has changed, much of Brombert’s long experience as a reader and teacher is richly familiar: the rewards of rereading, the joy of learning from students, and most of all the insight to be found in engaging works of literature. The essays gathered here range from meditations on laughter and jealousy to new appreciations of Brombert’s lifelong companions Shakespeare, Montaigne, Voltaire, and Stendhal. A veteran of D-day and the Battle of the Bulge who witnessed history’s worst nightmares firsthand, Brombert nevertheless approaches literature with a lightness of spirit, making the case for intellectual mobility and openness to change. The Pensive Citadel is a celebration of a life lived in literary study, and of what can be learned from attending to the works that form one’s cultural heritage.