"During the late twelfth to fourteenth centuries, several precursors of what is now commonly known as Shinto came together for the first time. By focusing on Mt. Miwa in present-day Nara Prefecture and examining the worship of indigenous deities (kami) that emerged in its proximity, this book serves as a case study of the key stages of “assemblage” through which this formative process took shape. Previously unknown rituals, texts, and icons featuring kami, all of which were invented in medieval Japan under the strong influence of esoteric Buddhism, are evaluated using evidence from local and translocal ritual and pilgrimage networks, changing land ownership patterns, and a range of religious ideas and practices. These stages illuminate the medieval pedigree of Ryōbu Shintō (kami ritual worship based loosely on esoteric Buddhism’s Two Mandalas), a major precursor to modern Shinto. In analyzing the key mechanisms for “assembling” medieval forms of kami worship, Andreeva challenges the twentieth-century master narrative of Shinto as an unbroken, monolithic tradition. By studying how and why groups of religious practitioners affiliated with different cultic sites and religious institutions responded to esoteric Buddhism’s teachings, this book demonstrates that kami worship in medieval Japan was a result of complex negotiations."

The first book that deals with the territorial cults of early Japan by focusing on how such cults were founded in ownerless regions. Numerous ancient Japanese myths and legends are discussed to show that the typical founding ritual was a two-phase ritual that turned the territory into a horizontal microcosm, complete with its own ‘terrestrial heaven’ inhabited by local deities. Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky. The open access publication of this book has been published with the support of the Swiss National Science Foundation.

For over three hundred years during the Heian period (794–1185), execution was customarily abolished in favor of banishment. During the same period, exile emerged widely as a concern within literature and legend, in poetry and diaries, and in the cultic imagination, as expressed in oracles and revelations. While exile was thus one sanction available to the state, it was also something more: a powerful trope through which members of court society imagined the banishment of gods and heavenly beings, of legendary and literary characters, and of historical figures, some transformed into spirits. This compelling and well-researched volume is the first in English to explore the rich resonance of exile in the cultural life of the Japanese court. Rejecting the notion that such narratives merely reflect a timeless literary archetype, Jonathan Stockdale shows instead that in every case narratives of exile emerged from particular historical circumstances—moments in which elites in the capital sought to reveal and to re-imagine their world and the circulation of power within it. By exploring the relationship of banishment to the structures of inclusion and exclusion upon which Heian court society rested, Stockdale moves beyond the historiographical discussion of "center and margin" to offer instead a theory of exile itself. Stockdale's arguments are situated in astute and careful readings of Heian sources. His analysis of a literary narrative, the Tale of the Bamboo Cutter, for example, shows how Kaguyahime's exile from the "Capital of the Moon" to earth implicitly portrays the world of the Heian court as a polluted periphery. His exploration of one of the most well-known historical instances of banishment, that of Sugawara Michizane, illustrates how the political sanction of exile could be met with a religious rejoinder through which an exiled noble is reinstated in divine form, first as a vengeful spirit and then as a deity worshipped at the highest levels of court society. Imagining Exile in Heian Japan is a model of interdisciplinary scholarship that will appeal to anyone interested in the interwoven connections among the literature, politics, law, and religion of early and classical Japan.

This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese “family state.” The book situates Susanoo in Japan's cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan.

A collection of papers on comparative mythology in English by Kazuo Matsumura, a well-known professor of Japanese mythology at Wako University, Tokyo, Japan.

In this, the most comprehensive treatment in English to date, a senior scholar of early Japan turns to three sources - historical, archaeological and mythological - to provide a multifaceted study of ancient Japanese society. Analyzing a tremendous amount of recent archaeological material and synthesizing it with a thorough examination of the textual sources, Professor Kidder locates Yamatai in the Yamato heartland, in the southeastern part of the Nara basin. He describes the formation in the Yayoi period of pan-regional alliances that created the reserves of manpower required to build massive mounded tombs. It is this decisive period, at the end of the Yayoi and the beginning of the Kofun, that he identifies as Himiko's era. He maintains, moreover, that Himiko played a part in the emergence of Yamato as an identifiable political entity. In exploring the cultural and political conditions of this period and identifying the location of Yamatai as Himiko's area of activity, Kidder considers the role of magic in early Japanese society to better understand why an individual with her qualifications reached such a prominent position. He enhances Himiko's story with insights drawn from mythology, turning to a body of commentary for explanations buried deep in mythological stories and the earliest descriptions. Himiko and Japan's Elusive Chiefdom of Yamatai is required reading for Japan historians as well as scholars with an interest in literature and art history during this formative stage in Japan's past.