The four classic tales in this volume illuminate Leo Tolstoy's radical orientation toward war and commerce, revealing his vision for a sustainable, peaceable world. The feature story, Ivan the Fool, presents an archetypal fool who works hard, cooperates with everyone, and manages to foil every attempt to cause his downfall. In the end, peasant life comes out on top, while the pillars of imperial Russian society topple down. Esarhaddon, King of Assyria explores a king's empathy-based revelation to end all violence; and A Grain as Big as a Hen's Egg playfully looks at the relationship between health, soil, labor, and food economies. Three Questions sums up Tolstoy's highest ideal of serving others in the present moment. Some may critique these stories as being too simplistic or too moralistic. But these tales have stood the test of time precisely because they entertain well while evoking universal truths that lift us above humanity's self-serving impulses.

The four classic tales in this volume illuminate Leo Tolstoy’s radical orientation toward war and commerce, revealing his vision for a sustainable, peaceable world. The feature story, Ivan the Fool, presents an archetypal fool who works hard, cooperates with everyone, and manages to foil every attempt to cause his downfall. In the end, peasant life comes out on top, while the pillars of imperial Russian society topple down. Esarhaddon, King of Assyria explores a king’s empathy-based revelation to end all violence; and A Grain as Big as a Hen’s Egg playfully looks at the relationship between health, soil, labor, and food economies. Three Questions sums up Tolstoy’s highest ideal of serving others in the present moment. Some may critique these stories as being too simplistic or too moralistic. But these tales have stood the test of time precisely because they entertain well while evoking universal truths that lift us above humanity’s self-serving impulses.

Jerome Klapka Jerome (1859-1927) was an English writer and humorist, best known for the comic travelogue Three Men in a Boat (1889). The New Utopia is a short story in which the author describes his dream about a socialist society. Jerome's short essay describes a regimented future city, indeed world, of nightmarish egalitarianism, where men and women are barely distinguishable in their grey uniforms and all have short black hair, natural or dyed. Other works include the essay collections Idle Thoughts of an Idle Fellow (1886) and Second Thoughts of an Idle Fellow; Three Men on the Bummel, a sequel to Three Men in a Boat; and several other novels.

Later in his life, this eminent Russian writer best known for his novels Anna Karenina and War and Peace, became deeply enthused with Christianity and Christian values. This book contains three short stories that reflect his new found morality and thinking.

For the centenary of the Russian Revolution, a new edition of the Russian Nobel Prize-winning author's most accessible novel One Day in the Life of Ivan Denisovich is an undisputed classic of contemporary literature. First published (in censored form) in the Soviet journal Novy Mir in 1962, it is the story of labor-camp inmate Ivan Denisovich Shukhov as he struggles to maintain his dignity in the face of communist oppression. On every page of this graphic depiction of Ivan Denisovich's struggles, the pain of Aleksandr Solzhenitsyn's own decade-long experience in the gulag is apparent—which makes its ultimate tribute to one man's will to triumph over relentless dehumanization all the more moving. An unforgettable portrait of the entire world of Stalin's forced-work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary works to have emerged from the Soviet Union. The first of Solzhenitsyn's novels to be published, it forced both the Soviet Union and the West to confront the Soviet's human rights record, and the novel was specifically mentioned in the presentation speech when Solzhenitsyn was awarded the Nobel Prize in Literature in 1970. Above all, One Day in the Life of Ivan Denisovich establishes Solzhenitsyn's stature as "a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy" (Harrison Salisbury, The New York Times). This unexpurgated, widely acclaimed translation by H. T. Willetts is the only translation authorized by Solzhenitsyn himself.