Calma Harrison is in love. Not just with herself, but also with the handsome checkout guy at Crazi-Cheep. But when Calma gets a job at Crazi-Cheep, her cynical approach to customer service makes headlines. And then there's the small matter of the rest of her life, which is fast falling apart: her absent father turns up unexpectedly and wants to 'talk'; her mother, The Fridge, is keeping secrets; and her new best friend, Vanessa, is hiding something horrible. Fearing the worst for her family and friends, Calma knows the only sure way to shape events is direct, personal intervention... It's not all about YOU, Calma! is a bold and witty novel about friendship, loyalty and acting on impulse.

After terrorizing their English teacher into leaving, Kiffo's tenth grade class finds a challenge in their new teacher.

Shakespearean Spaces in Australian Literary Adaptations for Children and Young Adults offers a comprehensive examination of Shakespearean adaptations written by Australian authors for children and Young Adults. The 20-year period crossing the late-twentieth and early twenty-first centuries came to represent a diverse and productive era of adapting Shakespeare in Australian literature. As an analysis of Australian and international marketplaces, physical and imaginative spaces and the body as a site of meaning, this book reveals how the texts are ideologically bound to and disseminate Shakespearean cultural capital in contemporary ways. Combining current research in children’s literature and Bourdieu’s theory of cultural capital deepens the critical awareness of the status of Australian literature while illuminating a corpus of literature underrepresented by the pre-existing concentration on adaptations from other parts of the world. Of particular interest is how these adaptations merge Shakespearean worlds with the spaces inhabited by young people, such as the classroom, the stage, the imagination and the gendered body. The readership of this book would be academics, researchers and students of children’s literature studies and Shakespeare studies, particularly those interested in Shakespearean cultural theory, transnational adaptation and literary appropriation. High school educators and pre-service teachers would also find this book valuable as they look to broaden and strengthen their use of adaptations to engage students in Shakespeare studies.

Candice Phee isn't a typical twelve-year-old girl. She has more than her fair share of quirks, but she also has the very best of intentions and an unwavering determination to make sure everyone around her is happy—which is no easy feat when dealing with a pet fish with an identity crisis, a friend who believes he came from another dimension, an age-old family feud, and a sick mom. But she is on a mission. Her methods might be unique, but Candice will do whatever it takes to restore order to her world and make sure everyone is absolutely, categorically happy again.

Sixteen-year-old Calma Harrison is certain she knows what is behind the strange behavior of everyone in her life, and is convinced that she is the only one who can fix things.

"Sixteen can be a tough time. And it's almost unmanageable for a wise-cracking boy whose temper is white-hot. As a consequence he is sentenced to a time-out with his reclusive grandfather in a primitive shack in the Tasmanian forest. There is little to do except chop wood and watch the red-eyed wallabies gather at dusk. They are an unlikely couple: a taciturn old man who prefers the simple life, and a volatile boy addicted to the technology of the 21st century and yet a bond blossoms between them. But denied access to much he desires, and feeling provoked by a local cop cynical of city folk, the boy's frustration grows. And when he encounters situations he can't control anything could happen ..."--Provided by publisher.