The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback Worship of the Egyptian goddess Isis dates as far back as 2500 B.C. and extended at least until the fifth century A.D. throughout the Roman world. The importance of her cult is attested to in Apuleius's Golden Ass, and evidence of its influence has been found in places as far apart as Afghanistan and Portugal, the Black Sea and northern England. The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback.

*Includes pictures *Includes ancient accounts *Includes online resources and a bibliography for further reading Africa may have given rise to the first human beings, and Egypt probably gave rise to the first great civilizations, which continue to fascinate modern societies across the globe nearly 5,000 years later. From the Library and Lighthouse of Alexandria to the Great Pyramid at Giza, the Ancient Egyptians produced several wonders of the world, revolutionized architecture and construction, created some of the world's first systems of mathematics and medicine, and established language and art that spread across the known world. With world-famous leaders like King Tut and Cleopatra, it's no wonder that today's world has so many Egyptologists. To the ancient Egyptians, as was the case with any society made up of inquiring humans, the world was a confusing and often terrifying place of destruction, death and unexplained phenomena. In order to make sense of such an existence, they resorted to teleological stories. Giving a phenomenon a story made it less horrifying, and it also helped them make sense of the world around them. Unsurprisingly, then, the ancient Egyptian gods permeated every aspect of existence. Isis first appears during the period of Old Kingdom (ca. 2660-2190 BCE) but only later does she take on her most famous role of being a sister-wife of Osiris. Originally, she is simply the mother of Horus and the details surrounding his conception are more obscure. Her absence in the original myths about Osiris is confirmed by the fact that her appearances at Abydos, a famous cult center of Osiris, are scarce until the New Kingdom (ca. 1549-1069 BCE). In fact, Isis had no known cult center throughout the majority of ancient Egyptian dynastic history, though it didn't seem to have a negative effect on her worship. Isis was one of the nine principal deities of the Egyptian pantheon called the Ennead and her hieroglyph was the throne, a glyph that would later connect her with Osiris, whose hieroglyph was a throne and an eye, and royalty in general. In fact, as the goddess of the throne, she came to represent the "mother" of all the kings of Egypt. Regardless of her royal attributes, however, Isis was fundamentally a healer and a peacemaker. Nevertheless, as time went on and Egypt became more influenced by the outside world, Greece and Rome in particular, Isis came to be seen as the wrathful protector of Egypt and its kings. According to the sources, she was "cleverer than millions of gods" and more capable of protecting the country than "millions of soldiers." What is most fascinating about Isis is the agency she has in her myths, particularly the most famous, that of the death and rebirth cycle of Osiris. In this myth she even demonstrates traits of the female trickster, which is considerably less common in world mythology than the male equivalent. According to one New Kingdom source, Isis transformed herself into an old woman in order to fool the divine ferryman between the worlds of the living and the dead, and she also turned herself into a young woman in order to get Seth to admit that his claim for power was unjust. All the while, she created cultural and geographical mainstays - such as the Nile - while being worshipped as a helper goddess. It is curious that, until the 30th Dynasty, Isis was worshipped in the temples of other gods as she did not have a dedicated cult center of her own. During the 30th Dynasty, this changed with two large temples built in her honor in the Nile Delta. Later on, the Ptolemaic and Roman rulers of Egypt would develop these sites and her worship would outlive the draconian abolishment of pagan religion in Egypt and would even be transported out of Egypt as Isis was revered and worshipped at the farthest reaches of the Roman Empire.

In ancient Egypt women enjoyed a legal, social and sexual independence unrivalled by their Greek or Roman sisters, or in fact by most women until the late nineteenth century. They could own and trade in property, work outside the home, marry foreigners and live alone without the protection of a male guardian. Some of them even rose to rule Egypt as ‘female kings’. Joyce Tyldesley’s vivid history of how women lived in ancient Egypt weaves a fascinating picture of daily life – marriage and the home, work and play, grooming and religion – viewed from a female perspective, in a work that is engaging, original and constantly surprising.

Isis and Sarapis in the Roman World deals with the integration of the cult of Isis among Roman cults, the subsequent transformation of Isis and Sarapis into gods of the Roman state, and the epigraphic employment of the names of these two deities independent from their cultic context. The myth that the guardians of tradition and Roman religion tried to curb the cult of Isis in order to rid Rome and the imperium from this decadent cult will be dispelled. A closer look at inscriptions from the Rhine and Danubian provinces shows that most dedicators were not Isiac cult initiates and that women did not outnumber men as dedicators. Inscriptions that mention the two deities in connection with a wish for the well-being of the emperor and the imperial family are of special significance.

"The Handbook of Religions in Ancient Europe" surveys the major religious currents of Europe before Christianity - the first continental religion with hegemonic ambition - wiped out most local religions. The evidence - whether archaeological or written - is notoriously difficult to interpret, and the variety of religions documented by the sources and the range of languages used are bewildering. The "Handbook" brings together leading authorities on pre-Christian religious history to provide a state-of-the-art survey. The first section of the book covers the Prehistoric period, from the Paleolithic to the Bronze Age. The second section covers the period since writing systems began. Ranging across the Mediterranean and Northern, Celtic and Slavic Europe, the essays assess the archaeological and textual evidence. Dispersed archaeological remains and biased outside sources constitute our main sources of information, so the complex task of interpreting these traces is explained for each case. The "Handbook" also aims to highlight the plurality of religion in ancient Europe: the many ways in which it is expressed, notably in discourse, action, organization, and material culture; how it is produced and maintained by different people with different interests; how communities always connect with or disassociate from adjunct communities and how their beliefs and rituals are shaped by these relationships. The "Handbook" will be invaluable to anyone interested in ancient History and also to scholars and students of Religion, Anthropology, Archaeology, and Classical Studies.

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.