An intimate monograph of the professional and personal creations of a midcentury design legend. Irving Harper is the most famous designer you have never heard of. Working as an associate at the office of George Nelson in the 1950s and ’60s, Harper was responsible for such icons of midcentury design as the Marshmallow sofa, the Ball clock, and numerous Herman Miller textile designs. Harper’s unrecognized contribution to this seminal era of design, and his incredible paper sculptures (made in his spare time to "relieve stress"), are presented for the first time in this book. An essay by design critic Julie Lasky introduces Harper’s commercial design work, recognizable designs from graphics to domestic goods to furniture that are still coveted and appreciated today, designed for the offices of Raymond Loewy, George Nelson, and then his own studio Harper + George. The second part of the book documents Harper’s extensive paper sculptures, which have never been exhibited. More than three hundred works fill Harper’s house and barn in Rye, New York, where this array of fantastical people and animal sculptures was created from modest and inexpensive materials as diverse as spaghetti and toothpicks in addition to paper. Images of Harper’s home, filled with furniture and objects of his own design as well as his paper sculptures, offer a rare glimpse into a Modern design enthusiast’s paradise.Offering insight into an important era of American design as well as the prolific output of a creative mind, this book promises to be the first to recognize Irving Harper’s contribution to the field and will appeal to fans of Modern design.

The Sunday Times bestseller ’Are you ready, Max? If anyone’s going to help me do this, it’s you.’ The heart-warming tale of a life-saving friendship.

American industrial designer Irving Harper (19162015) has been lauded as one of the most prolific designers of the modernist style. Harper lived in Rye, New York, in a 19th-century farmhouse filled with modernist furnishings and over 300 paper sculptures. Working in his attic, Harper created extensive groups of his paper sculptures with a dizzying array of visual motifs. His mastery of the delicate material gave way to the execution of a seemingly limitless stream of objects: ranging from tribal and oceanic art to cubism and his beloved tree in the garden. These extraordinary, idiosyncratic and diverse sculptures have been restored, cataloged and beautifully photographed in their entirety for the first time. Irving Harper: Paper Sculptures is a thoughtfully designed publication devoted to presenting a little known chapter in the creative life of one of modern designs most important protagonists. Includes 348 imagesalmost all in full color!

"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and Process Art, Earthworks, Conceptual and Performance Art and so on. He discusses the aesthetics of art as well as the social and political context of art, the art market, the art world and the culture heroes of the sixties." -- Provided by publisher

InParty of One,investigative journalist Michael Harris closely examines the majority government of a prime minister essentially unchecked by the opposition and empowered by the general election victory of May 2011. Harris looks at Harper’s policies, instincts, and the often breathtaking gap between his stated political principles and his practices. Harris argues that Harper is more than a master of controlling information: he is a profoundly anti-democratic figure. In the F-35 debacle, the government’s sin wasn’t only keeping the facts from Canadians, it was in inventing them. Harper himself provided the key confabulations, and they are irrefutably (and unapologetically) on the public record from the last election. This is no longer a matter of partisan debate, but a fact Canadians must interpret for what it may signify. Harris illustrates how Harper has made war on every independent source of information in Canada since coming to power.Party of Oneis about a man with a well-defined and growing enemies list of those not wanted on the voyage: union members, scientists, diplomats, environmentalists, First Nations peoples, and journalists. Against the backdrop of a Conservative commitment to transparency and accountability, Harris exposes the ultra-secrecy, non-compliance, and dismissiveness of this prime minister. And with the Conservative majority in Parliament, the law is simple: what one man, the PM, says, goes.

T.S. Garp, a man with high ambitions for an artistic career and with obsessive devotion to his wife and children, and Jenny Fields, his famous feminist mother, find their lives surrounded by an assortment of people including teachers, whores, and radicals

An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.