"THE END OF ALL THINGS," Part Five This issue has everything! Mark and Eve in peril! Allen's fleet chased by Thragg's forces! Terra learning to use her powers! Robot doing something (else) evil! Did we mention Tether Tyrant? All this and Debbie Grayson momming the hell out of the cover!

When her photographic memory makes her the target of a criminal who will do anything to make her forget, Carlie Blair entrusts her life--and her heart--to a Lakota Sioux named Carson, a man she once despised.

Jake Billings is usually cool under pressure, but when two stick-up kids rob his record store, Jake opens fire on them, landing him in prison. Five days in, he receives an anonymous letter telling him that his days are numbered. But before he can find out who’s behind the threats, Jake is stabbed and ends up in a coma. When he wakes in a hospital bed two years later, things have changed: His prison sentence has been commuted, his girlfriend is fiercely independent, and his side piece has gotten out of the street life altogether. But one thing remains: Jake’s enemy still wants him dead and is powerful enough to track him down no matter where he hides. On the run, and with rumors circulating about a powerful, phantomlike gang called the 300 Crew, Jake will need to rely on his mantra: Trust no one—not the law, not his girl, not the street cats he helped out years ago, not even his own blood.

No war can last forever. Now, in the long and punishing battle between the defiant champions of the New Jedi Order and the juggernaut that is the Galactic Alliance, the endgame is finally at hand. With so much lost–and nothing less than the course of the future still at stake–there can be no turning back. No matter the consequences. The rebel cause is losing ground under the twin blows of Admiral Gilad Pellaeon’s assassination and the death of Mara Jade Skywalker. At the same time, having gained the support of the Imperial Remnant and its ruthlessly efficient forces, the Galactic Alliance, with the extraordinary power and dark brilliance of newly ascendant Sith Lord Darth Caedus at its helm, may be unstoppable. Tormented and torn between the call of duty and the thirst for vengeance, Luke has searched the Force and beheld an unspeakable vision of the galaxy enslaved under tyranny more monstrous than even Palpatine’s. Now it seems that the last, best hope lies in mobilizing the scattered Jedi for one decisive search-and-destroy mission. The objective: eliminate Darth Caedus. It’s a plan that will be as difficult and dangerous to execute as it is daring. For Caedus is a scion of both the Skywalker and Solo bloodlines whose command of the Force surpasses even that of his grandfather Darth Vader. There is only one who is bound by destiny to stand against him in what will surely be a duel to the death, only one with an outside chance of bringing down the dark lord who was once Jacen Solo. Failure is not an option. The furious final moments between power and peace are here, and whoever confronts Darth Caedus will decide the outcome–and the fate of those left standing.

THE VILTRUMITE WAR CONTINUES! THE FINAL STAND! It's all come to this: The fate of all life on Earth is at stake. If Invincible loses... Wait, Invincible can't lose... can he?

Focusing on representations of Celtic motifs and traditions in post-1980s adult fantasy literature, this book illuminates how the historical, the mythological and the folkloric have served as inspiration for the fantastic in modern and popular culture of the western world. Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, Imagining the Celtic Past in Modern Fantasy explores such texts as Susanna Clarke's Jonathan Strange & Mr Norrell, Alan Garner's Weirdstone trilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's Rigante novels, Patricia Kennealy-Morrison Keltiad books, as well as An Sgoil Dhubh by Iain F. MacLeòid and the Vertigen and Frontier series by Léa Silhol. Lively and covering new ground, the collection examines topics such as fairy magic, Celtic-inspired worldbuilding, heroic patterns, classical ethnography and genre tropes alongside analyses of the Celtic Tarot in speculative fiction and Celtic appropriation in fan culture. Introducing a nuanced understanding of the Celtic past, as it has been informed by recent debates in Celtic studies, this wide-ranging and provocative book shows how modern fantasy is indebted to medieval Celtic-language texts, folkloric traditions, as well as classical sources.