Introducing the Dante Papers Trilogy: Introductory Papers on Dante Further Papers on Dante The Poetry of Search and the Poetry of Statement This introductory volume of essays on Dante by Dr. Dorothy L. Sayers will be eagerly sought by the many thousands of readers who already know her vigorous and vivid translation of the Inferno. As those who have heard Miss Sayer's lectures on Dante can testify, she brings to the interpretation of the Divine Comedy a vitalizing power of analysis and re-creation. Readers of Dante often become discouraged by the mass of factual detail which the older school of historical criticism has made available; mere aestheticism, however, unrelated to the time and space, is nor likely to satisfy them either. They will find in Miss Sayers' essays enough scholarly assistance to put themselves in the position of a contemporary reader; but their attention will chiefly be drawn to the relevance of the Divine Comedy to our present day world and way of life. Miss Sayers' emphasis on the ethical, rather than on the aesthetic, or historical, significance of Dante's work, comes as a welcome and bracing challenge to the confusion regarding values, whether of literature or of life, which characterizes the present age.

Introducing the Dante Papers Trilogy: Introductory Papers on Dante Further Papers on Dante The Poetry of Search and the Poetry of Statement Dr. Sayers' Further Papers on Dante will be warmly welcomed by all who read her Introductory Papers on Dante and by those hundreds more who want to know more about this astonishing poet newly disclosed to them by her vivid Penguin translation of the Inferno and the Purgatorio. The first series dealt mainly with the theological and ethical aspects of the Divine Comedy. The present one is more heterogeneous and pays more attention to the literary and poetic aspects of Dante's work. Here and there an attempt is made to rescue Dante from the exalted isolation in which he stands, and to compare with him other poets writing on similar themes. 'To label any poet hors concours is in a manner to excommunicate him.' This is not a work of popularization, but Dr. Sayers has in a high degree the ability to make things plain and readable for the general reader while at the same time revealing much that scholars may have overlooked.

In this Very Short Introduction, Peter Hainsworth and David Robey take a different approach to Dante, by examining the main themes and issues that run through all of his work, ranging from autobiography, to understanding God and the order of the universe. In doing so, they highlight what has made Dante a vital point of reference for modern writers and readers, both inside and outside Italy. They emphasize the distinctive and dynamic interplay in Dante's writing between argument, ideas, and analysis on the one hand, and poetic imagination on the other. Dante was highly concerned with the political and intellectual issues of his time, demonstrated most powerfully in his notorious work,The Divine Comedy. Tracing the tension between the medieval and modern aspects, Hainsworth and Robey provide a clear insight into the meaning of this masterpiece of world literature. They highlight key figures and episodes in the poem, bringing out the originality and power of Dante's writing to help readers understand the problems that Dante wanted his audience to confront but often left up to the reader to resolve. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Erich Auerbach’s Dante: Poet of the Secular World is an inspiring introduction to one of world’s greatest poets as well as a brilliantly argued and still provocative essay in the history of ideas. Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach’s study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante’s work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity. CONTENTS I. Historical Introduction; The Idea of Man in Literature II. Dante's Early Poetry III. The Subject of the "Comedy" IV. The Structure of the "Comedy" V. The Presentation VI. The Survival and Transformation of Dante's Vision of Reality Notes Index