In January 1847, a grain convoy passed through Buzançais, an obscure village in a remote region of central France that was suffering from hunger, high prices, and widespread unemployment. Villagers intercepted the shipment, invaded granaries and mills, and forced resale of the grain at a just price set by the people. What started as a classic subsistence movement, however, triggered two days of rioting and class hostility punctuated by uncommon property damage and death. Disorder soon spread throughout the region. The Buzançais riot quickly became an evocative symbol of the rights of the people, and stories about the riot have survived into the twenty-first century. In Interpreting Social Violence in French Culture, Cynthia A. Bouton traces how the production and marketing of the Buzançais riot story served political commentators, publishers, authors, illustrators, and local enthusiasts, enabling them to draw upon key points from the 1847 uprising to negotiate issues relevant to their own times. Bouton argues that over time, especially from the 1970s, the persistent integration of stories of social protest into a widening variety of media has helped shape French political identity as one in which the politics of the street has become as customary as the politics of political assemblies. Bouton examines representations of the riot in newspapers, novels, illustrations, popular and scholarly historical narratives, cartoons, television, local spectacles, and on the Internet. She analyzes power relations embedded in texts and in images; the ways in which texts and images complement, complicate, and contradict each other; and the ways in which history, memory, and fiction intersect. Both in 1847 and subsequently, she shows, efforts to reorder the disorder at Buzançais have exposed aspects of French social and cultural attitudes and practices. She demonstrates that the particular media employed to tell the Buzançais story both constrained and empowered the messages conveyed by textual and visual narratives of it, perhaps as much as the ideological positions of authors, illustrators, or producers. By probing the relationship between medium and story in relation to the Buzançais riot, Interpreting Social Violence in French Culture offers a new interpretation of this defining moment in French history.

The volume configures a multidisciplinary perspective on the concept of intellectual elites and describes their action in Eastern European cultures, bringing together studies signed by a number of eminent Romanian scholars from various fields of the Humanities.

African Political Activism in Postcolonial France engages with several areas of scholarly inquiry, ranging from the study of immigrants to the investigation of surveillance and the legacy of colonialism. Within migration studies, many important analyses have focused on integration, yielding critical contributions to our understanding of immigration and identity. This work moves in a different direction. Factoring in the dynamics of colonialism, decolonization, and their effect on immigrant political activism and state policy in the postcolonial, Cold War era reveals that immigrants from francophone Sub-Saharan Africa were key players who shaped the development of public policy toward immigrants. Through this approach, we can understand how republicanism, colonial ideology, immigration policy, and immigrant political activism intersected in the post-colonial era, shaping the reception of African workers and affecting their lives and experiences in France.

Crowd Actions in Britain and France from the Middle Ages to the Modern World explores the lively and often violent world of the crowd, examining some of the key flashpoints in the history of popular action. From the Peasants' Revolt of 1381 to the Paris riots in 2005 and 2006, this volume reveals what happens when people gather together in protest.

Nineteenth-century America witnessed some of the most important and fruitful areas of intersection between the law and humanities, as people began to realize that the law, formerly confined to courts and lawyers, might also find expression in a variety of ostensibly non-legal areas such as painting, poetry, fiction, and sculpture. Bringing together leading researchers from law schools and humanities departments, this Companion touches on regulatory, statutory, and common law in nineteenth-century America and encompasses judges, lawyers, legislators, litigants, and the institutions they inhabited (courts, firms, prisons). It will serve as a reference for specific information on a variety of law- and humanities-related topics as well as a guide to understanding how the two disciplines developed in tandem in the long nineteenth century.

Explores the experience and impact of the 1848 French Revolution through the writings of nine European intellectuals, including Marx and Flaubert.