This edited collection of interdisciplinary perspectives on shame provides insight into scholarly concerns regarding the appropriate methods for studying shame and the theories that they yield, as well as the import of shame to our self, others, and the community to which we belong.

Each essay in this volume provides a cultural perspective on shame. They focus on the question of how culture can differentially affect experiences of shame for members of that culture. The volume provides a cross-cultural perspective on shame, highlighting the similarities and differences of experiences of shame across cultures.

Each essay in this volume provides a cultural perspective on shame. More specifically, each chapter focuses on the question of how culture can differentially affect experiences of shame for members of that culture. As a collection, this volume provides a cross-cultural perspective on shame, highlighting the various similarities and differences of experiences of shame across cultures. In Part 1, each contributor focuses primarily on how shame is theorized in a non-English-speaking culture, and address how the science of shame ought to be pursued, how it ought to identify its object of study, what methods are appropriate for a rigorous science of shame, and how a method of study can determine or influence a theory of shame. In Part 2, each contributor is primarily concerned with a cultural practice of shame, and addresses how shame is related to a normative understanding of our self as a person and an individual member of a community, how culture and politics affect the value and import of shame, and what the relationship between culture and politics is in the construction of shamed identities. Cultural Perspectives on Shame will be of interest to scholars and advanced students working in cross-cultural philosophy, philosophy of emotion, moral psychology, and the social sciences.

Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.

This timely collection brings together a diverse array of field-leading contributors in order to offer an interdisciplinary investigation into a discourse, research, and action agenda in pursuit of the universal application of human dignity.

In this collection leading thinkers, writers, and activists offer their responses to the simple question “do I have a body, or am I my body?”. The essays engage with the array of meanings that our bodies have today, ranging from considerations of nineteenth-century discourses of bodily shame and otherness, through to arguing for a brand new corporeal vocabulary for the twenty-first century. Increasing numbers of people are choosing to modify their bodies, but as the essays in this volume show, this is far from being a new practice: over hundreds of years, it has evolved and accrued new meanings. This richly interdisciplinary volume maps a range of cultural anxieties about the body, resulting in a timely and compelling book that makes a vital contribution to today’s key debates about embodiment.

Is shame social? Is it superficial? Is it a morally problematic emotion? In this book, Julien Deonna, Raffaele Rodogno, and Fabrice Teroni propose an original philosophical account of shame aimed at answering these questions.