INSTALLATION ART IN CLOSE-UP A huge array of contemporary artists are studied and illustrated in this new book on installation and environmental art, including: Andy Goldsworthy, Mark Rothko, Barnett Newman, David Nash, Richard Long, Hamish Fulton, Hans Haacke, Wolfgang Laib, Joseph Beuys, Ad Reinhardt, Louise Nevelson, Tony Cragg, Cornelia Parker, Rebecca Horn, Constantin Brancusi, James Turrell, Donald Judd, Christo, Robert Morris, Lawrence Weiner, Robert Irwin, Jannis Kounellis, Donna Dennis, Ian Hamilton Finlay, Alan Sonfist, Alice Aycock, Mary Miss, Nancy Holt, Walter de Maria, Dennis Oppenheim, Jackie Winsor, Richard Serra, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Dan Flavin, Eva Hesse, Sol LeWitt, and Barbara Kruger. This is a book of rows of steel cubes, lightning fields, galleries of soil and horses, leaf sculptures, entropy, earthworks, floor-to-ceiling slogans, snow circles, floor spreads, mapworks, walks, reshaped volcanoes, birds in space, fluorescent lamps, TV monitors, mirrors, interior lakes, wrapped buildings, spiral jetties, underground labyrinths, stellar observatories, steam pieces, gardens, embankments, holes, concrete poetry, slate stacks, artificial rivers, and stoves. An installation is the management of a whole space or environment - floor, walls, ceiling, furnishings, lighting and doorways, as in Rebecca Horn s Ballet of the Woodpecker, a room full of mirrors, or Sylvia Stone s Crystal Palace. Artists aren t content anymore to demurely hang paintings on walls, or peacefully place sculptures on pedestals. Art exhibitions now are an art of environments, with TV monitors, computers, scaffolding, video cameras, supports, bones, wire mesh and a zillion other items everywhere (though video screens are the favourite installation media). The classic type of installation art developed out of the 1960s, out of performance art, Process art, ABC art, Minimal and Postminimal art. Even today one of the most common forms of installation art is a bunch of TV monitors hooked up together (or often a video projector) showing grainy video images of people accompanied by an atmospheric soundtrack. Art in Close-Up Series. Bibliography, notes. Fully illustrated. 320pp.

The much anticipated follow-up volume to our bestselling 2011 title Installation Art, this is the most impressive collection of renowned avant-garde installation pieces to-date. Only top-tier projects are featured, including biennale pieces from many different countries. Interior gallery and museum installations encourage poetic new ways of looking at enclosed space, while exterior projects on both large and small scales astound through their dramatic use of materials and reinvent the urban and rural built environment. Pink balloons are suspended in rows above the main thoroughfare of a major city, a prism of colored threads hung in the air makes an otherwise blas staircase magical, thin rays of light hover in space, a hole in a gallery wall reveals an entire hidden realm composed of layered ice blocks, while neoclassical arched windows pour transparent crystallized ice flows out onto marble floors. This book changes how we look at our everyday surroundings and their possibilities.

This sequel to the best-selling Masterpieces Up Close is another fun, interactive book that introduces works of art from museums around the world across different eras and styles, including an ancient Egyptian papyrus, a Byzantine mosaic, Renaissance frescoes, a medieval European tapestry, Arabic and Aztec manuscripts, Japanese woodblock prints, and impressionist, surrealist, and cubist paintings. Full-color reproductions of twenty-three famous works of art provide a colorful hunting ground for over two hundred close-up details. Lift-the-flap keys at the end of the book provide intriguing facts about the works and the artists who created them. Young readers will learn how artistic expression has developed through the centuries and discover how looking at familiar images up close reveals new insights into the world of art.

LAND ART A fully illustrated survey of land and environmental art. For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning sunward in the late afternoon. These are the things land artists deal with in making art. These are the actualities that artists employ when they create artworks. ? This new book explores all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site Hans Haacke's Conceptual art Michael Heizer's Mid-West earthworks Robert Smithson and his giant spiral, entropic earthworks Christo's wrapped buildings and islands, Robert Morris's environments Walter de Maria's Romantic Lightning Field David Nash's stoves, stones, trees and North Wales environments Hamish Fulton's walks and words Dennis Oppenheim's concentric snow circles Richard Long and his art of walking Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures Alice Aycock's mysterious underground mazes Mary Miss's sunken pools and pavilions Wolfgang Laib's delicate, luminous pollen spreads Nancy Holt and her observation sculptures and the enigmatic floor sculptures of Carl Andre. Here are towers, stars, stones, pools, tunnels, pipes, maps, chasms, ladders, mounds, scars, mirrors, cones, furrows, mazes, circles, hills and gardens. ?"

While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.

The purpose of this volume is to introduce the reader to the pleasure of looking at master drawings. Through forty-five spectacular works of art, each shown in full and with an enlarged detail, the book simulates the experience of looking at a drawing through a magnifying glass: we can see the techniques and materials used and get close to the artist's creativity. They are roughly ordered by date and were chosen for inclusion because, in addition to yielding beautiful details, they encompass a wide variety of media and techniques. Accompanying short texts highlight particular aspects of each work; italicized technical terms are explained in an accessible and informative glossary at the back. Works by some of the greatest masters of the craft--Leonardo da Vinci, Dürer, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh--are included. The reader will gain insights into why artists made drawings, how they used the media available to them--including red chalk, watercolor, pen and ink, and pastel--and their techniques, such as hatching, stumping, squaring, and heightening. This beautiful and unpretentious book will have a wide appeal and will be especially invaluable for art students, practicing artists, and those who study art and art history.

Beautifully illustrated with an array of Japanese art, this work offers a closer look at the rich variety of styles, decoration, motifs and patterns and the sheer craftsmanship of Japanese culture. Opening with an introduction that asks What is Japanese art?, this book presents a selection of striking and fascinating art from Japan, organised into a series of thematic chapters in which the author provides cultural context while pointing out exceptional features.